An unusal Jobim track, which was recorded in Brazil and is much rougher around the edges than most of his better known work. This track explodes into action half way through with some killer jazz piano.
The big news that I just found out is that this isn't really a Jobim track at all! Apparently, this is really just the work of Deodato and Gaya, even though Jobim's name was put on the cover for the US audience.
24 Jun 04 ·brasilnut: This song is actually "morte de um deus de sal" by Marcos Valle 24 Jun 04 ·eftimihn: And actually the whole album isn't an Jobim album at all, it was originally titled "Tom Jobim apresenta". The purpose was to benefit from Jobims name (and fame) to introduce new brazilian artists to american audiences. The confusion resulted, if i remember correctly, in the fact that the musicians names were not credited on the album and people thought this must be a Jobim album.
A wonderful version of “Going out of my head”, which was originally sung by Little Anthony and the Imperials. It's a great song anyway, with really nice words (well, nice for a Smiths fan like me, anyway: 'there's no reason why...my being shy...should keep us apart...'), but Sergio Mendes also adds an extra musical edge to the chorus, and this really adds a new dimension to the song. The instrumentation is classic Brasil 66: Percussive jazz piano, group vocals, and a driving bossa nova beat.
An incredible doomy pop masterpiece, 'For one moment' is a dark, haunting ballad, laden with rich strings. I guess what makes it stand out is the recording itself - Lee was a master of studio techniques, and so the whole thing has an uncanny, almost Phil Spector type feel to it.
from The Very Special World of Lee Hazlewood (MGM)
24 May 04 ·plasticsun: Have you noticed that the string part sounds a lot like the string part in Scott Walker's "Plastic Palace People"? 08 Apr 05 ·olli: Brilliant song, was going to recommend it myself, but luckily remembered to check for earlier entries. Always thougt this had kind of a Michel Magne feel myself..it's the swirling strings, i guess.
Check out his version of Poinciana and Petrol Pop to see what i mean.
A dramatic pop number from the 60s in which Mina passionately belts out the tune. The opening is gentle, with a delicate trumpet melody; it then builds up to a huge climax with full orchestra. The song is infuriatingly catchy and familiar; I'm sure I had heard it many times before I finally identified it about five years ago. Very highly recommended.
available on CD - Canto Morricone, Vol 1 (Bear Family)
19 Apr 01 ·andyjl: This song was covered in a great version by Francoise Hardy (as "Je changerais d'avis"). It's on several compilations of her 60s recordings. 19 Apr 01 ·delicado: Francoise also recorded it in English (the recording is exactly the same apart from the vocals) as 'I will change my life'. Great stuff!
"Dressed in black, he walks alone, a shadow in the night." The Shangri-Las death trip reached a powerful climax in this eerie song of loss and lingering. Funereal piano chords balanced by surging choruses and a closing spoken section that leaves you as weak as the sadly wounded narrator. If this one doesn't get to you, you ain't got a heart.
from the single Dressed In Black (Red Bird) available on CD - The Best Of The Shangri-Las (Mercury)