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3 tracks from 1966 have been recommended by Swinging London.
Order by - songtitle - performer - date recommended
I Put A Spell On You  performed by Alan Price  1966
Recommended by Swinging London [profile]

Alan Price left The Animals in 1965 and began his career as as the lead singer of The Alan Price Set in 1966.

Their first single was a flop. This, their second, made the Top Ten, in England.

It's my personal favourite rendition of this much covered, Screamin' Jay Hawkins song. The most famous version is probably by Nina Simone, which I also rate very highly.

Alan's version is tremendously powerful, helped by his skilful, echoey use of the Hammond Organ.

Price never 'made it' in the USA as a solo performer. He was terrified of flying, so the necessary promotion of his work, stateside, suffered. He also gave this as his reason for leaving the Animals, who needed to spend a lot of time in the USA, as they had a huge following there.

He's one of my favourite British artists, solo & otherwise, of the '60's & I think this is my favourite of his songs.

from The Price To Play (Repetoire)
available on CD - yes



The Teeny Bopper Song  performed by Keith  1966
Recommended by Swinging London [profile]

This is the 'B' side to Keith's 1967 hit '98.6'.

It also has a groovy thing going.

Apart from these two songs I've never found anything worthwhile by Keith.

from 98.6




  08 Dec 05 ·konsu: There are some really great cuts by that guy! If you like 98.6 he did a sort of reprise tune called "I Ain't Gonna Lie" that ends up on his first LP. Another song I just love from that record is "Sweet Dreams (do come true)" which I highly recommend. There is a great retrospective of his stuff on CD on the UK label RPM that has both his LP's plus extras... but it can be too much sugar to swallow at once I must say.
  10 Dec 05 ·Swinging London: I always thought 'Aint Gonna Lie' was a real dud, personally. But I'm interested to hear about the compilation CD.
Woman  performed by Peter & Gordon  1966
Recommended by Swinging London [profile]

There's a bit of a story to this one.

Peter Asher, who was the Peter part of this duo, was the brother of Jane Asher who was Paul McCartney's girlfriend at the time of this song, asked Paul to write them a song.

They decided it would be interesting to see if it would be a hit without the Paul McCartney/Beatle stamp on it. So they released this song saying that it was written by a Mr. Bernard Webb.

It only reached No. 28 in the British charts.

Jane Asher, many years later, chose it as one of her 'Desert Island Discs', but she never talks about Paul or her Beatle days and failed to tell the story around the song.

Very nice string arrangement/intro.

This was the early days of using classical instruments in pop songs. I think the classical slant is what appeals to me most about this recording.





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