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You searched for ‘Dreamy’, which matched 61 songs.
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0  performed by 0
Recommended by scarlettdame [profile]

0

from Fear of a Red Planet, available on CD (plan b records)


Playground Love  performed by Air  2000
Recommended by delicado [profile]

To me, this one of the most perfect songs released in recent years. It's hard to pin down what makes this track so affecting - the instrumentation is mostly synth; there is also an understated, slightly Bowie-style vocal. Overall I think it is the music itself - the fragile chord sequence and instrumentation evoke a strange sense of lost summer memories.

from Virgin Suicides, available on CD (AstralWerks)




  secularus: This track is sublime. Atmosphere to the nth degree. Sophia Coppola is very lucky to have a gem like this as the pervasive track to her film, The Virgin Suicides. Mesmerizing.
  tinks: that ain't the only reason sofia coppola is very lucky, but that's another story. i agree, i love the entire score to the film.
All I Need  performed by Air  1998
Recommended by eftimihn [profile]

A beautiful track off Air's already classic debut album "Moon Safari". Actually the instrumental backing of this song is based on a track they released in 1996 ("Les professionels", later compiled on the "Premiers Symptomes" album). This one boasts such an enveloping warm analogue sound with all the vintage synths Air used (Moogs, Fender Rhodes etc.). On top of that there's the dream-like, sensual vocals by Beth Hirsch that gives it such a floating, laid-back tone. Sounds like the impression of a late summer sunset transcribed into sound. Wonderful.

from Moon Safari, available on CD



The Night Is For Dreamers  performed by Big Sandy and the Fly-Rite Boys  2003
Recommended by TippyCanoe [profile]

A 2003-type doo wop number. Thoughtful and kind lyrics.

from It's Time, available on CD


if you could see me now  performed by bill evans  1965
Recommended by jazzfanwv [profile]

if you love trio jazz ie bass, drums, and piano you will love this version of a great standard. along with chuck israels on bass and larry bunker on drums. i never get tired of this song also check out the 2nd cut elsa a very dreamy song

from trio '65', available on CD


Julie With...  performed by Brian Eno  1977
Recommended by bugbarbecue [profile]

Picture yourself in a boat on a river.

Actually, in this case it happens to be the middle of the ocean. Just drifting any direction. No land in sight, nothing else on the water, not even any clouds. No distractions. Just you, the boat, and the water.

Oh, and Julie -- she's there -- with her open blouse, gazing up into the empty sky.

What's so powerful about Eno's "Julie With..." (and this is perhaps representative of his entire career) is that he gives you an experience in perfect detail, as if reading a book.

Even if you discount the lyrics, which, although not exactly Shakespearian, are clear and unambiguous, there is no escaping the image that Eno is presenting.

Casting aside any overanalysis, what we're left with is an outstanding bit of relaxing, but emotionally evocative chillout music. Completely beatles, the instrumentation is typical Eno: pad synthesizers, minimoog and guitar with heavy chorus. Not something you'd throw on at an afterparty, but great for a sunset in solitude.

from Before And After Science, available on CD


Just Lust  performed by Buzzcocks  1978
Recommended by dsalmones [profile]

"Just Lust" was the B-side to the Buzzcocks' highest-charting single, the Pete Shelley punk-pop classic "Ever Fallen in Love?," eventually reaching number 12 on the U.K. singles chart in September of 1978. The mysterious co-author " Dial" is, in fact, a pseudonym for the band's early manager, Richard Boon, who also shared songwriting credits on "What Ever Happened?," the B-side to the Buzzcocks' infamously banned first single "Orgasm Addict." However, the effect of his involvement in not apparent here, as the music is classic Buzzcocks � masters of the punk-fueled power pop nugget. The rhythm is springy, the track's nervous tension as wired as the melody is infectious. Punchy verses with quick-hit vocals are alternated with short dreamy sections of woozy flanged guitar and chopped up-tempo shifts, the band expertly maneuvering in tight spaces. Shelley follows the twists and turns with clipped phrases followed by drawn-out melodies in sync with the compact arrangement: "Your dream to possess/It hurts/It's so unjust/Just lust, just lust/If nothing mattered less/Then I wouldn't make a fuss/Just lust, just lust/I was slow to catch on and that just makes it worse/If passion is a fashion then emotion is just a curse." Though the track was also included on the Buzzcocks' second album, Love Bites, the group had yet to make an impact in the United States. Thankfully, this little gem was not left to languish in obscurity as it was included in the influential collected singles package Singles Going Steady, compiled as the band's introduction to American audiences and released in the states in 1979.
(AMG)

from Love Bites, available on CD


Wanderlove  performed by Claudine Longet  1967
Recommended by scrubbles [profile]

I always like Claudine Longet's whispery, French accented voice, singing cutesy little love songs with all the dreamy passion of a girl decorating her school notebook with detailed drawings of unicorns and flowers. But she sounds even better when performing a darker, vaguely forboding song like "Wanderlove". The gentle string arrangement and subtle sitar flourishes are the icing on the cake. Wherever you're going, Claudine, take me with you.

from Claudine, available on CD


Yellow  performed by Coldplay  2000
Recommended by izumi [profile]

I don't think this song needs an introduction because love or hate Coldplay, most people should know this song by now. It's their most famous anthem, and is a truly beautiful song. The melody and harmonies sound amazing, and Chris Martin's vocals are really outstanding. The lyrics are really cool, and the guitar/bass sound great as well. And as I type, I'm 3 hours away from seeing them live at Crystal Palace! ^_^ Five out of five.

from Parachutes (Parlophone 5277832)


The Last Good Day of the Year  performed by Cousteau  1999
Recommended by secularus [profile]

Lets just say I listened to this tune in repeat on my player December 31,1999. Yes, a cliche I know, but we all have our moments. Cousteau's sound can be aptly described as Scott Walker fronting the Tindersticks. Liam's strong voice seduces the maudlin trumpet and carries it away with him as the song breaks into its chorus and an instrumental crescendo. Sentimental, romantic.


available on CD - Cousteau (Global Warming Ltd)



Natacha  performed by Czerkinsky
Recommended by avalyn [profile]

simply because it's gentle, chiming and so full of yearning. i'm a sucker for that.




Thru Spray Colored Glasses  performed by Dino Desi and Billy  1969
Recommended by delicado [profile]

A heavenly pop vocal track, one of the last tracks ever recorded by Dino, Desi and Billy. The production (by Stu Phillips, who did the Hollyridge Strings and some cool soundtracks) is dreamy and soft, perfectly matching the idealized lyrics (the world seems so wonderful...etc).

from Follow Me (soundtrack) (Universal City UNI73056)
available on CD - The Mad Mad World of Soundtracks (Motor music)




  yugo: Ooh!I love this LP.Besides,I've just finished to upload it into iPod. I love "Thru Spray Colored Glasses",too. But the tune I love best in this LP is "Just Lookin' For Someone". What do you think,mate?
  nighteye: I believe that both 'The Gentle People' and 'Handsomeboy Technique' has sampled this track?
  masayo: Since I know the Match version, I have been eager to listen to the original one. Thank you Delicado, finally I could listen to a piece of it!
Mister Love  performed by Dr. Buzzard's Original Savannah Band  1978
Recommended by PappaWheelie [profile]

Cosmopolitan Disco with a warm orchestration igniting the perfect melody, Cory Daye's vocal performance can't go wrong. Dr. Buzzard's music is unlike any other music with the battered "Disco" tag. As with most of their discography, this is highly recommended! Also try "The Gigolo and I" and "Transistor Madness-Future DJ" from their wrongly criticized "Dr. Buzzard's Original Savannah Band Meets King Pennett" album.

from Dr. Buzzard's Original Savannah Band Meets King Penett (RCA)
available on CD - Very Best of Dr. Buzzard's Original Savannah Band (RCA)




  ryder0059: I JUST WANTED TO SAY MISS CORY DAYE VOICE IS ONE OF A KIND,IT IS ABSOLUTELY BREATHTAKING,SASSY WITTY,STYLISH.I WISH SOMEBODY WOULD GET HER BACK INTO THE STUDIO AS SOMEONE WOULD MAKE LOTS OF MONEY.I DONT GET IT AS HER CORY AND ME RECORD IS OUT OF PRINT BUT SELLS FOR THIRTY DOLLARS ON EBAY AND OTHER OUT OF THE COUNTRY SELLERS LIKE ROCK HOUSE MUSIC. I REALLY BELIEVE THAT IF THEY PLAYED SOME OF HER MUSIC ON THE RADIO NOW IT WOULD SELL LIKE GOLD COME ONE SOMEONE PLEASE GET HER BACK INTO THE STUDIO THANKS FOR YOUR TIME JOHN KARVASALES
  Lemluv: Thank you for posting this. I have been enchanted by the works of August Darnell, Stony Brower and Co. in all it's manifestations. Seductive yet sophisticated, concealing a rapier and wit all the time dressed to impress (from Tropical Gangsters to Zoot Suits, y mas). They were pegged as a "disco" group, but were much more. What gets me the most is how visual their music could be. Nostalgic, contemporary, and ahead of it's time simultaneously.
Magic Garden  performed by Dusty Springfield  1968
Recommended by audvoid [profile]

I discovered this on The Dusty Springfield Anthology 3CD set (1997) and fell in love with it instantly. Until this release Magic Garden had never been available in the U.S. and was originally released on an obscure British-only EP. The song's an absolute classic that veers between Phil Spector-esque surging pop and dreamy summer of love escapism. Truly a rediscovered lost masterpiece.

from If You Go Away EP (Phillips BE 12605)
available on CD - The Dusty Springfield Anthology (3CD) (Chronicles)


False Goodbyes  performed by Echo and the Bunnymen  1990
Recommended by diogenes44 [profile]

From the much maligned (unfairly) non Mc Cullough lp, a slice of dreamy, aggressive psychedelia with some of Will Sergeant's finest moments on guitar and a vocal to match from "the singer who never was". Should be on every compilation of the band but no doubt will remain hard to find. A pity.

from Reverberation (Korova)


Comme  performed by Francoise Hardy  1966
Recommended by scrubbles [profile]

Dreamy. One of my favorite F. Hardy songs, if only because I can easily imagine her singing it while strolling through a meadow of sunflowers, breezes gently blowing her hair. Ahem. The light arrangement with subtle strings and harp accompanyment is gorgeous.


available on CD - The Vogue Years (Camdem/BMG)



Amori Finiti  performed by Giancarlo Gazzani  1966
Recommended by delicado [profile]

To me, this track is a perfect distillation of all that is wonderful about bossa nova and the various hybrids which it inspired. Bossa nova was taken up all over the world after its rise in the late 50s and early 60s, but Italian musicians seem to have done an especially good job of absorbing its charms.

A simple instrumental, this opens with a plucked guitar and simply builds up and down, adding piano and strings and then taking them out so beautifully that it makes you shiver. Alas, the rest of the compilation this is taken from suffers from poor sound quality. If anyone comes across the original Giancarlo Gazzani album, I'd be very keen to hear it, although I fear this track may be an isolated gem.

from Musica per commenti sonori
available on CD - Metti una bossa a cena (Schema)




  Swinging London: Really nice. Reminds me of a 1966 movie soundtrack. Now I've got to search for the song.
Far East Blues  performed by Henry Mancini  196?
Recommended by konsu [profile]

Here's Mancini at his moodiest, really digging deep for an eastern-meets-baroque vibe. With banks of silky brass, dreamy flute, harpsichord and marimba! Such a master of color and image, right down to the gong strike at the end, fabulous! Part of an often overlooked LP that details sides he recorded during some of his famous soundtrack sessions, utilizing the talents of his many players at the time. A must for the Man-fan!

from Dream of You (RCA CAS 2510)


Untitled  performed by Interpol
Recommended by 37piecesflair [profile]

Dreamy.

from Turn ont he Bright Lights


Threshold Of Transformation  performed by Isis  2009
Recommended by SamHall [profile]

The 9:52 long track immediately blasts you off your feet with a ethereally heavy series of riffs and Aaron Turner's rough vocals. Keeping it interesting, the structure continues to evolve, and drifts downward into a more dreamy movement which stays dense and builds the tension for the following verses. About halfway in, the song reaches the first climax that (I think) embodies the "Threshold" in the song title. After which, it moves into a more contemplative section, smoothing out the turmoil and tension brought on by the first half, while building its own. Beautifully, it succeeds in building yet another crescendo, only to end in free fall, with guitar and bass fantastically accenting the mood. The bass in this song is truly something to behold, wavering and powerful in its tone.

What I like about this song reflects on why I like Isis' music in general: it's complex, atmospheric, emotional, intricate, and smart. It truly is "thinking man's metal." Isis is all about themes and atmospheres, emotions and vibes, rather than clear ideas and lyrics. It's visceral, raw, and transcendent. And in some ways, I think this song embodies everything that makes them great.

from Wavering Radiant, available on CD


White Horses Theme  performed by Jacky  196x
Recommended by mattypenny [profile]

This is a sixties kids show theme tune. Its a dreamy, girl song. It sometimes reminds me of Walking in the Air, and maybe Nancy Sinatra. Who said 'writing about music' is like 'dancing about architecture'? I think I'd be better at the latter


available on CD - Cult Fiction Returns ?



  kohl: elvis costello?
Summertime Rolls  performed by Jane’s Addiction  1988
Recommended by rooftop_holler [profile]

a major theme song during one of the first summers in which i got to experience pure slivers of life on my own terms. reminds me of billy kaiser, and still-warm, oceany air in the drive home from the beach late at night. and lying on my back looking at stars. don't know if you'll feel it to or if it's context for me...lemme know. ; )

from Nothing's Shocking, available on CD



  rooftop_holler: ok, that shoulda been "too" with 2 "o"'s...whaddya want at 3 am?
Cordeiro De Nanã  performed by João Gilberto  1980
Recommended by delicado [profile]

Just one minute and twenty seconds long, this a perfectly distilled piece of Brazilian pop/mood music. The song consists of a simple, beautiful chord progression, which is repeated over and over. João sings a simple vocal over his guitar, and then some brass and strings come in to join him. The arrangement is stunning: sweeping and beautiful, with a delicate, sparkly sound at the beginning and end. It sounds very like the work of Claus Ogerman (who arranged the tracks on 'Amoroso', which appears on the same CD), but in fact, it's arranged by Johnny Mandel. Although this was recorded in 1980, it has a timeless feel. The entire Amoroso/Brasil CD is quite incredible. It took a few listens to really hit home, but has now become one of my 'desert island discs'.

from Brasil
available on CD - Amoroso/Brasil (Warner Brothers)



  barry_c: I agree, a beautiful, beautiful tune. You should check out the original version of this tunes, by Os Tinco�s: http://www.luizamerico.com.br/fundamentais-tincoas.php
  kfigaro: I really love very much this song with these subtile orchestration of Johnny Mandel me two, and I also know the original version of Os Tinco�s (1977) which is very different and with verses that J.Gilberto don't sing... Thalma de Freitas also sing this dreamy tunes in her album (2004) _______________________ http://chantsetheres.over-blog.com/
  delicado: Just listening to this again a few years after my initial recommendation. It really does encapsulate a lot of the mysterious, seductive elements of Brazilian music for me.
Andalucia  performed by John Cale  1973
Recommended by delicado [profile]

This is from a great album that I recently received as a gift. Andalucia opens with a beautiful echoey acoustic guitar. It's a tender, simple song, with delicate guitar playing, entertaining lyrics (like 'Andalucia - when can I see yer'), and a great melody. The atmosphere is enhanced by a steel guitar and some nice multitracked vocals. I guess Cale's voice is an acquired taste, but I find him rather earnest and charming.

from Paris 1919, available on CD



Charlotte Anne  performed by Julian Cope  1988
Recommended by delicado [profile]

I heard this again today for the first time in a while; I still think it's one of the best pop songs written in the 80s. The production is smooth and slightly spooky, and the repetitive tune which continues in the background throughout the song makes it even more catchy. The words are rather stirring, and Julian is as enchanting a vocalist as ever.

from My Nation Underground (Island)
available on CD - Floored Genius (Island)



Bill Drummond Said  performed by Julian Cope  1984
Recommended by dsalmones [profile]

A key track from Julian Cope's fragmentary second solo album, 1984's Fried, "Bill Drummond Said" is the only song on the album that resembles the swirling psych-pop of his old band the Teardrop Explodes. This is no doubt intentional, as the lyrics take aim at the group's former manager, Bill Drummond (later half of the Timelords, the KLF, and the JAMS), albeit in a typically vague way. The lyrics are skeletal enough that several interpretations might be brought to them, but they seem to recount a dream in which Cope witnesses his former manager in the act of strangling an unidentified woman to death. In contrast to the vaguely unpleasant lyrics, this is by far the catchiest and sweetest tune on Fried, with a dreamy folk-rock sound to its ringing 12-string guitar riffs and breathy harmonies. Coming between more disjointed and edgy tracks like the bizarre fairy tale "Reynard the Fox" and the Syd Barrett-like ramble "Laughing Boy," "Bill Drummond Said" sounds downright bubblegummy. Unsurprisingly, the always combative Drummond got in the last word with his answer song, "Julian Cope Is Dead," a sarcastically folky acoustic tune from his odd 1986 solo album The Man in which Drummond claims that in the waning days of the Teardrop Explodes, he had suggested that Cope commit suicide to make the band famous and laments that the singer didn't take him up on it.
(AMG)

from Fried, available on CD


Red  performed by King Crimson  1974
Recommended by Stian______ [profile]

Guitars and more guitars. These are the gods of heavy prog rock. Robert Fripp on lead guitars pounds out an unforgettable growling monster of an instrumental. Its atmospheric,dreamy,nightmarish and kind of taunting in places .Its simply great.

from Red, available on CD



  ronin: The entire album is a gem of guitars and pounding beats, much harder overall than, say, "Lizard." "One More Red Nightmare" is another hard out rocker featuring the vocal talents of bassist John Wetton, but I find the most haunting song to be the West Side Story-esque "Fallen Angel."
Decollage  performed by Les Balayeurs du désert  2005
Recommended by Aguirre [profile]

Dreamy French ambient pop. Heaven.

from Jules Verne Impact


Sunken City  performed by Les Baxter  1961
Recommended by nighteye [profile]

This is one of Baxters best songs, although there are many incredible Les Baxter pieces, this one really stands out from the rest. The title 'Sunken City' is perfect, you really feel like you are floating in the bright blue ocean, searching for a lost city. The instruments Baxter chose for this song are interesting; oboes, a haunting choir along with some vibraphones and piano chords, the result is however amazing.
Listen to this song late at night with the lights dimmed.

from Jewels of the Sea (Capitol)
available on CD - Exotic Moods of Les Baxter



Somewhere in Between  performed by Lifehouse  2001
Recommended by izumi [profile]

I think this is likely to be one of those songs you might accidentally come across on the radio or in a movie soundtrack, you don't know who performs it and you don't care because it just takes you in when you listen to it. You can't use words like "amazing" or "breathtaking" to describe it. It's just simple and beautiful and you'll love it if you like slow-paced songs with a acoustic guitar melody that sound really dreamy and wonderful.

from No Name Face (Dreamworks 4503382)


1900 Yesterday  performed by Liz Damon’s Orient Express  1970
Recommended by artlongjr [profile]

This song is an intriguing one for me, I can never get enough of it! It's one of the easy listening classics from the early 70's and is one of the most perfect examples of the "Now Sound" genre, recorded by a Hawaiian bar band led by lead singer Liz Damon. Interestingly, it is a cover of a song written by Chicago soul songwriter Johnny Cameron and it was originally recorded by Betty Everett on the Uni label. I was lucky enough to find a copy of Betty's original version, but unfortunately her version has never been put on CD.

This song has a delightfully slow tempo and dreamy, romantic lyrics that somehow seem timeless. To me, the song always seemed to be in an older style than its early 70's release date would suggest. The bridge features great horn playing and a wonderful descending bass run.

The original 45 on White Whale Records had a song called "You're Falling in Love" on the flip side, and that song too is a classic, in my opinion.

from Liz Damon's Orient Express, available on CD



  prufrock68: Yep, this song is definitely of its time. It smacks of 'easy-listening' radio, from the staid brass break, the gentle, on-the-beat marimba strokes, and the whispery thin lead vocals of Liz and her equally restrained backup fellows behind her. Maybe the song just feels slower to you in this version. I don't think the Betty Everett version is any faster--it's just more rhythmic with its slightly funky percussion and string arrangements. Don't get me wrong, I like both versions, this one as much for its that kind of cool 'dated' feel as anything else.
You are the one  performed by Mike + the Mechanics  1985
Recommended by Mike [profile]

Just a great soppy synthy song. Nice chords. The lyrics are pretty good in a dreamy, soppy way. I heard it for the first time yesterday. I probably wouldn't have liked it much in 1985.

No-one seems to be certain which of two guest singers performed the lead vocal, but it certainly sounds nothing like Paul Carrack or the late Paul Young, who were to become the band's usual vocalists.

from Mike + the Mechanics (Virgin)


The Holy Filament  performed by Mr. Bungle  1999
Recommended by Tangento [profile]

This is a truly unique song, from a beyond unique band. Mr. Bungle has a rabid, almost cult-like following, and songs like this are the reason why.
This band has always drawn on many different, widely varying influences, including ska, grindcore, jazz, and funky beats, to name just a few.
This track displays a whole new direction for the band, with dreamy, ethereal bass and piano interplay, retro-vocal harmonies, and an almost rapturous climactic sequence, followed by a melancholy fade-out.
This is a work composed by Bassist Trevor Dunn, (a true talent) and I feel it is more than worthy of a place on this list.
The album is a classic, I highly recommend it for people with just about any kind of musical taste.
I am providing a review/ option to purchase:
HERE

from California, available on CD


smell memory  performed by mum  2002
Recommended by theaugustchord [profile]

this is a unique piece that comes from the depths of iceland, 4 piece dark electronic group Mum have there shining moment with this gem. Smell memory is a 9 minute epic of errie substance, it has grown on me since the day i bought the album - yesterday was dramatic, today is ok - to really absorb this you must be the a mood where you really want to lose yourself and see where you are at the end of it.

from Yesterday was dramatic, today is ok., available on CD


Cherry, Cherry  performed by Music Machine  1967
Recommended by artlongjr [profile]

Just discovered this cover of the Neil Diamond song on Youtube, along with several other videos by the Music Machine, and it really stunned me. It's a beautiful soft pop version of "Cherry Cherry" complete with flute solo-nothing like the other songs I've heard from the band. Nothing garagey about it at all, more in the easy listening vein...and I mean that in a good way!

Another great cover version that the Music Machine do is "Hey Joe"-their's is my favorite version of that oft-recorded chestnut.


available on CD - Turn On the Music Machine (Collectables)


O Pato  performed by Natalia y La Forquetina  2004
Recommended by fiftyfootgirl [profile]

Dreamy, sweet, bossa nova track with a Mexican twist. This cover of the Juao Gilberto song runs during the opening credits for the Mexican film "Duck Season," which is equally charming...


available on CD - Casa (Sony (Mexico))


In The Aeroplane Over The Sea  performed by Neutral Milk Hotel  1998
Recommended by pullmyhair [profile]

The song is wistful, whimisical, magical, beautiful, introspective, and youthful.


available on CD - In the Aeroplane over the Sea (Merge)



  n-jeff: Wow, how many times has this song been entered on here, now! http://www.psychedelicado.com/filter.php?performer=Neutral%20Milk%20Hotel Lots, thats how many. It must be a great song. Even if The capitalisation may Be a bit Tricky. ;�)
Lights In The Sky  performed by Nine Inch Nails  2008
Recommended by SamHall [profile]

You can't go wrong with NIN, and you certainly can't go wrong with NIN and a piano.

The soft piano element and Trent Reznor's voice make for a beautiful combination, underscoring a melancholy contemplation of self. The song, like much of the album, is a very reflective examination of Reznor in his older years. I think it's powerful stuff, especially when the song trails off into the rhythmless void of "Corona Radiata."

from The Slip, available on CD


Endless Love  performed by Piero Piccioni  1970
Recommended by leonthedog [profile]

Might just well be the most dreamy, seductive, sexy song imaginable. Too bad it's only a bit over two
minutes long. From one of the million Italian thriller soundtracks that are, thank God, now available.


available on CD - Colpo Rovente (OST) (Easy Tempo)



My Ashes  performed by Porcupine Tree  2007
Recommended by mardikas [profile]

Has a mellow sound, involves mellotron, piano. I like it because of its dreamy mood and the lyrics.

from Fear of a Blank Planet


This is Hardcore  performed by Pulp  1998
Recommended by delicado [profile]

I was never a Pulp fan, and I'm still not exactly a huge one. I never quite got why songs like 'Do you remember the first time' and 'Common People' were so great. I don't mind those songs now, but they never hit me in the way that 'This is Hardcore' did.

It's hard to explain why the dramatic, slightly ridiculous tone of the song appeals to me so much. The song is built around a sample from 'Bolero on the moon rocks' by Peter Thomas, the German film composer, and I think it's used very well - the sample adds texture and atmosphere, but doesn't dictate the song. I enjoy the way things develop at a slow pace, with new musical sections still being introduced late in the song. I'm very fond of all of these, but the slow, dreamy section that comes in at around 4:15 is particularly appealing, with its lush and strangely 80s sounding backgrounds.

Utter, utter genius!

from This is Hardcore, available on CD



  scrubbles: Totally agree ... I remember that the video for this song was equally fantastic - a tribute to '50s technicolor melodramas, but with an added dose of sleaze.
  olli: dammit. just rediscovered this myself and was about to rcommend it. didn't appeal to me the first time around, but then again i probably have a slightly better/ more diverse taste in music now. besides, the years have been kind to it. you're spot on about the use of the peter thomas sample, i have to agree that it's pretty tastefully done.
  olli: if you can use the word "tasteful" about this song, that is:)
Moonchild  performed by Rick James  1985
Recommended by Nickfresh [profile]

Rick James rocks. but he also can croon. His 1985 LP, "Glow," was highly underrated, and because of this fact, many folks passed up this gem of an album. "Moonchild," with its lush bassline - dreamy keyboards - and somewhat inspired lyrics, is one of the many tracks should've made RJ a bigger star than he was. Motown really dropped the ball on not releasing this ballad as a single or promoting the album, PERIOD. Mary J. Blige brought this song back to life (without butchering it) with 1997's "Love is All We Need."

from Glow (Gordy (Motown) 6135 GL)



Our Day Will Come  performed by Roger Nichols Trio  1966
Recommended by masayo [profile]

This is a cover song of a famous tune by Ruby & the Romantics but it's a totally different type of music from the original. Its orchestration and chorus are outstanding and dreamy. Though Roger Nichols is famous now among Japanese pops fan, I don't think many people know him outside Japan. So I want more people to know his tremendous works!!

from only single(A&M 801) (A&M)
available on CD - The Complete Roger Nichols & The Small Circle of Friends (POCM-2 (A&M)



  scrubbles: You're right, this is an excellent arrangement of this song. Where the original was yearning and romantic, this one is bright and perky. A gem!
  konsu: Yeah! Also check out the Chris Montez version with the same kind of "perky" quality!
Hurry to Me  performed by Roy Budd  1969
Recommended by delicado [profile]

A superb recording of a really perfect song. Ennio Morricone's theme to the obscure movie 'metti, una cera a cena' (one night at dinner) is here performed in a classic crisp, clear version by Roy Budd. I'm not sure if I love this recording so much because it was the first version I heard, but I think it may even be better than the Morricone recording. Anyway, if you don't know this song, you will probably recognise it when you hear it. It features an infuriatingly catchy repetitive female wordless-vocal over a gentle bossa beat, with rich strings and piano. Every now and then everything goes quiet and all you hear are the vocals and a faint tremelo guitar. It is really amazingly beautiful. There is also a great italian version of this song by Milva, which sounds amazingly like the group Stereolab.

from Soldier Blue (Pye NSPL 18348)
available on CD - Sound Spectrum (Sequel)




  leonthedog: The Budd version is also available on "Rebirth of the Budd," for those (like myself) wanting an introduction to his work. The Sandpipers' version on "Canto Morricone Vol." is equally nice.
  DickieB: I just wanted to recommend ‘The Sound Spectrum’ which this is on. I’ve had a copy of years but have only just realised that it’s essential listening - if you like this sort of thing, probably drive you mad otherwise.
  delicado: Yes, it\'s a cracking compilation. It\'s so well done that if you listen to the tracks out of context (e.g. on the original LPs), they don\'t sound as thrilling as they do on this mix!
det sista �ventyret  performed by sagor & swing  2003
Recommended by olli [profile]

dreamy, ultrascandinavian mellow forest music played on drums and electric organ. beautiful. simple melodies that make me think of mist, small cabins in the woods, owls and little lakes.
try listening to this when you're far from civilization. it's amazing.


available on CD - allt h�nger samman (hapna)



Crystal Illusions (Memorias de Marta Sare)  performed by Sergio Mendes and Brasil ’66  1969
Recommended by m.ace [profile]

If there is such a genre as psychedelic impressionist easy pop, this song should be its flagship. Dreamy, lulling, yet subtly disturbing, this seven-minute plus tune is like entering a watercolor painting.

from Crystal Illusions (A&M)



  konsu: Written by Edu Lobo. Apparently for a play he wrote a few songs for. A year later he did it on his own A&M album "Sergio Mendes Presents Lobo", which is an incredible album produced by Sergio. Also check out his LP "Missa Breve" from 1973.
Fell in Love at 22  performed by Starflyer 59  1998
Recommended by avalyn [profile]

a wee lush love song that makes me turn into a puddle without fail. very dreamy and ethereal, and it has a gorgeous melody too... so if you're into that brand of guitar pop, you'll dig this.

from The Fashion Focus, available on CD



  konsu: Already recommended, only with olli's "mooncat style" lower case spelling... While you are there, observe if you will the ensuing religious commentary thread. One of the more entertaining on the site so far.
  avalyn: heh. merci for letting me know. i'll keep me nose to the ground then, and just watch from afar. (religious thread -- would it have to do with them being on Tooth on Nail or summat?)
Caught in a moment  performed by Sugababes  2004
Recommended by godnose [profile]

As well as being a lovely slow, dreamy romantic song it is one of the most heartbreakingly beautiful tunes I've ever heard.




a love from outer space  performed by tahiti 80  2000
Recommended by penelope_66 [profile]

just dreamy! the title fully corresponds to the mood of this track. i'm just a sucker for the combination of acoustic guitar and electronic instruments, and tahiti 80 masters that beautifully with this song. um, the perfect make-out song? what else can i say?


available on CD - tahiti 80 - e.p.




  n-jeff: Is this the AR Kane song? 'She loves me, she loves me she loves me, hmm, a love from outer space, its true'. My girlfriends favourite track from the I LP.
  penelope_66: Yes! Though I didn't know it was a cover...I'll have to find the original and hear it!
Rose Petals, Incense, and a Kitten  performed by The Association  1968
Recommended by artlongjr [profile]

This song has been a favorite of mine ever since I first heard it on the album "Birthday" back in the 80's. It reminds me of walking along the beach with my girlfriend, looking at a gorgeous sunset. The song was written by Jim Yester, who also sings lead...the string arrangement, great vocal harmonies, lush melody and delicate guitar solo by Tommy Tedesco make this a sunshine pop classic. Jim Yester also contributed two other equally great tunes on this album, "Birthday Morning" and the stunning, majestic "Barefoot Gentleman". I recommend the entire album to fans of 1960s harmony pop-it is their most psychedelic record, hands down, and my favorite by them,although I still haven't heard their first LP yet, which others have recommended to me as their best.

from Birthday, available on CD



  delicado: This is a truly exquisite track. I've been listening to this album a lot recently actually.
  eftimihn: A track so great it abolutely deserves to be recommended twice, here is my entry: http://www.musicaltaste.com/filter.php?songtitle=Rose%20Petals%2C%20Incense%20and%20a%20Kitten
  artlongjr: I'm glad so many people like this song...you can't go wrong with this album, in addition to "Rose Petals", there is "Everything That Touches You", "Toymaker", "Hear in Here", and "The Time it is Today", all great tunes. I just wonder what the results would have been if the Association had recorded "MacArthur Park" like they were requested to at that time!
  Major Minor: Seconded! Birthday is my favorite Association album containing some of the finest Sunshine Pop tracks ever!
Easy  performed by The Bruces  1994
Recommended by frokkos [profile]

Like most of the bruces' work, this song is melancholic but dreamy. It's an acoustic piece, with a fast pace and at least two or three less minutes than most bruces songs, which at times have reached 14min.
Great lyrics. Conor Oberst, from Bright Eyes and Desaparecidos, has taken much inspiration from this band.
Very good for melancholic nights where you don't plan on killing yourself. :o)

from Hialeah Pink (Eunnuchs!/Theme Park LA-012)


The Unguarded Moment  performed by The Church  1981
Recommended by dsalmones [profile]

That the Church's initial breakthrough song would yet become a millstone around its neck might not have been clear at the time, but one understands pretty easily why the band was anxious to escape its shadow after subsequent efforts clearly showed the tune as the building block it was. But "The Unguarded Moment" isn't a disaster at all - indeed, for a young band to come up with such a great effort early on and get some airplay and attention for it was as clear a sign as any that something really special could yet result. Marty Willson-Piper's flat out lovely introductory guitar and the sinewy blend of his and Peter Koppes' instrument on the main melody sets the tone, while the stripped down verses and quiet rhythm changes throughout give a great taste of the band's incipient ambitions and tweaking of an established formula. Steve Kilbey's quietly rueful but still clear and strong lead vocal adds a nice air of calm melancholia, while coming up with some fun lyrical images here and there ("Tell those friends with cameras for eyes�").
(AMG)

from Of Skins And Heart, available on CD


The Love Parade  performed by THE DREAM ACADEMY  1986
Recommended by beautifulmutant [profile]

Almost ethereal in delivery, The Love Parade or The Dream Academy for that matter, never fit into the period it was happening in. Too early for the sixties revival, too different from new wave and MTV pop, the Dream Academy found fame with R.E.M. and college fans... just a little bit.
This is a very emotional piece of soft pop from 1986.

from The Dream Academy


clark gable  performed by the postal service
Recommended by licoricewhipped [profile]

one of those songs that gets you bouncing around in your chair, all dreamy and hopeful.




Stormy  performed by The Third Wave  1970
Recommended by gregcaz [profile]

Many versions of this song, but for me this is simply the ultimate. Every time I hear it I drift off into a daydream.....

from Here And Now, available on CD


Just What I’ve Been Looking For  performed by The Vogues  1968
Recommended by delicado [profile]

Genius late 60s pop with vocal harmonies. This was composed by Roger Nichols, and has some beautiful chord changes and Bacharach-meets-Brian-Wilson interludes.

The verse is sombre and in a minor key, but when they sing 'close to me' to usher in the chorus, the sun comes out! There's some scat singing in the interludes. I had previously only really known the Vogues for '5 o'clock world', but this is superb - an unusual and memorable track.

from Greatest Hits, available on CD



Drugs  performed by This Mortal Coil  1986
Recommended by robert[o] [profile]

Perhaps the least typical track from the 4AD house band � and, ironically, one of the project�s great triumphs. Abandoning for a moment their gorgeous� prototype - beautifully dreamy soundscapes and/or readings of songs by Tim Buckley, Alex Chilton, etc. � this Talking Heads cover is little more that a series of grinding, funky sample loops w/Alison Limerick�s soulful vocals drifting in and out. A brilliant rethink of the song, that anticipates (perhaps influenced?) the Bristol/trip-hop mob - Portishead, Tricky, Massive Attack, et al. (Can still be found as a vinyl 10� single, if you look hard.)

from Filigree & Shadow (4AD)
available on CD - Filigree and Shadow (4AD)



  kohl: great band.
  konsu: Sort of ironic too, considering an interview with Ivo I once read with a short list of groups he wished he'd signed to 4AD, which included Portishead. TMC was such an ifluential project that completely escaped the 80's indie mainstream indeed.
today  performed by tom scott and the california dreamers  1967
Recommended by norfy [profile]

had this on a tape for ages and have recently found a japanese copy of the cd on impulse-awesome jazz/soft/easy vibes straight out of the free design school of harmonies-today [ a jefferson airplane cover i believe] is a jazzy/psych number that makes me half close my eyes and dream of places far away and times past-i would recommend the rest of the album too-all soft pop and sitar jazz...mush better than his fusion nonsense [bar the theme to starsky and hutch] from the 70's.the album is called the honey suckle breeze and is a revelation.

from the honeysuckle breeze, available on CD


When It Was Done  performed by Walter Wanderley Set  1968
Recommended by konsu [profile]

It's rare when a song can make you cry, at least in my case. This one always seems to shake something loose inside, some glacier of residule emotions or something. Nevertheless, this song has that certain something for me. Written by the more than capable Mr.Webb,and brought to life by Walter Wanderley on electric harpsichord alongside Don Sebesky's crush-velvet arrangements.The vocalists sound like they did the whole piece in one take, without fixing anything,to give it this dreamy adolescent quality,bathed in swirling soft lights...This record is one of the best of the A&M/CTI collaborations, bringing the best of both worlds together seamlessly... Magic stuff!

from When It Was Done, available on CD




  Pal: Yes it's a wonderful track! I found a version on soulseek with Hugo Montenegro but I can't find out on which record it's recorded originally. Is it anyone who can help?
  konsu: The Hugo Montenegro LP is "Colours Of Love" RCA LSP-4273. It also has great takes on The Guess Who's "Undun" and Steams "Na Na Hey Hey Kiss Him Goodbye"!
The smell of incense  performed by West Coast Pop Art Experimental band  1967
Recommended by n-jeff [profile]

I love the WCPAEB, they really seem to encapsulate Psychedelia perfectly. Light, blurred and dreamy. And unlike many of their contemporaries seem completely untouched by Garage authenticity. Not that theres anything wrong with garage punk per se, but it means that theres none of blundering of 'talk about girls' to fray those tinted moods.

Oh, it has loud guitars and harmonies right enough, but the whole thing is pitched just right to lift the dregs of any mood enhancers you may have floating around in your bloodstream and send them spinning into your brain.

from Volume 2, available on CD




  john_l: I hadn't realized it was a WCPAEB original. I've only heard the version by Southwest FOB, which was pleasant enough.
your hidden dreams  performed by white noise  1969
Recommended by olli [profile]

great electronic effects-laden psychedelia from their 1969 album "an electric storm". a spooky and beautiful track with lots of echo and spacy non-melodic digressions. oddly, it stays quite coherent despite all the insane stuff going on in the background. Female singer, beautyful breathy voice, kind of a "nico light-" thing going on.
the track "firebird" from the same album is also highly recommended.

by the way, i�m pretty sure each member of broadcast have their own copy of this album. The song "marooned" on wire's 1978 album "chairs missing" shares some melodic qualities with this track. would probably sound great if mixed together..

(if you're interested in aquiring the whole album, it�s pretty hard to come by, at least in vinyl form. i think it's been reissued on cd by some obscure label, but as i only have a cd-r copy, i'm not sure. side a is very good, but from what i heard they ran out of studio time, forcing them to make side b a bit more...shall we say, "experimental" in order to make it lp lenghth...)

from an electric storm




  standish: My dad's prog-rock friend brought this album over when my dad got his first proper stereo in 1972 and played us the scary side... These days, I love "Firebird" and "Here Come The Fleas". Quirky UK electronica by (BBC Radiophonic Workshop) Delia Derbyshire and David Vorhaus.

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