essential listening. psychedelic rockabilly doesn't get much better than this. check out the chanting in the background! the bells! the sitar-guitar sound! the drum pattern! wanda jackson's vocals! love it to death. can't believe i hadn't recommended it yet...
available on CD - rockin' with wanda
18 Aug 04 ·jeanette: Woooh. I love Wanda and this is fairly atypical of her, but even better for it. It's in the film "But I'm A Cheerleader" too, one of the finest movies I've seen in the last few years. RuPaul is the greatest. After Wanda Jackson.
cute little song about a girl stalking someone she's fallen in love with, listening to the "clip clops" of his shoes. the melody in the song is very similar to "cosmonaute" by stereo total, only more upbeat (it was written by brezel g�ring from stereo t., so i guess that's excusable). kahimi's ultra-bright voice fits this song perfectly.
(there's WAY too few sweet and uplifting songs about stalking, by the way.)
some nice tom waits-esque norwegian gipsy punk/ folkpop for you. You probably won't understand a word of what they're saying, as it's sung in a weird norwegian dialect, but most of it is about russian roulette, alcohol, corrupt priests, floods, polka, treachery and other things we enjoy here in norway. it's dramatic, fun and entertaining, so go ahead and buy it/ download from some file-sharing service. you won't regret it.
frantic song. i love the banjo and oildrum percussion.
from ompa til du d�r, available on CD (broiler farm)
11 Feb 08 ·Yvette Doll: I just love oil drums, I don't know, maybe they're cheaper, I like metal being hit,
the melody I send on holiday, I just want to hear metal being struck, and guess the rest.
i'm really starting to get into the sandpipers nowadays because of their amazingly clear, fluid sound. great 60s vocal pop song, this. flute, soft strings and some sweet understated harpsichord (or some electronic instrument) playing in the background. the bassline and percussion gives it a slight italian 60's soundtrack vibe. i love how it seems to constantly change its mood, epecially when it returns to form after the first flute part. there's even a bit in there that sounds like syd barret...
