The title track from Goldfrapp�s second LP is everything pop music should be � sexy, glamorous, smart and weird - but rarely is these days. If their debut album was all about, in the duo�s own words, �Ennio Morricone and disco�, then the follow-up is all about disco and�Ennio Morricone � only wrapped in a shimmering gown early 1980�s inspired electronic textures. Electro-clash with heart and soul, a Madonna song with 170 I.Q., a tune for Milva to sing on Moonbase Alpha � I could go on and on�
22 Nov 04 ·eftimihn: Excellent recommendation and great description. Unfortunately the only track off their sophomore effort that can moodwise hold up to such exquisite songs like "Pilots" or "Utopia" from their debut. 23 Nov 04 ·robert[o]: I actually dig the second LP a great deal. Very disco/electro, (as opposed to Ennio), but really high quality disco/electro. (And simply delivering a "Felt Mountain" Part II would have been a bit dull - I think.) "Forever" and "Hairy Trees" are pretty darn exquisite, likewise. 07 Dec 04 ·catfish: a beautiful track that simply melts into your ears. You get the impression that something very naughty is going on but never quite sure exactly what. Has Rachel Stevens ripped this band off or what? 12 Jan 05 ·OneCharmingBastard: A sumptuous moment from one of this decade's most solid slabs of sound.
The best New Order song New Order never recorded (bt which features Peter Hook).
Excellent lyrics, sing-along chant / chorus...
I would've though I'd've outgrown this song after 7+ years, but I still get emotional for some reason when I hear this song. It struck a nerve I cannot explain. Beautiful song.
25 Jan 05 ·eftimihn: Yeah, i still remember this really hooked (kinda lame pun, i know) me when it came out. At the time the prospect of New Order ever coming together again was very unlikely, so this was a welcome substitute at least for me. The first single off "Music For Pleasure", "What Do You Want From Me", was equally New Order-esque with Potts' voice sounding strikingly similar to Sumners'.
The perfect example of the kind of soft pop song I love. Heavy with melencholy. The strings and clarinet on this track break my heart. The fadeout is one of the greatest in history.
from Roger Nichols@ The Small Circle Of Friends (A&M) available on CD - The Complete Roger Nichols & The Small Circle Of Friends
06 Mar 05 ·olli: hmm, just made me curious. i generally hate fadeouts..they always seem to obscure some kind of interesting or trippy stuff that was starting happen in the studio:)
gotta check it out though, thanks. 07 Mar 05 ·eftimihn: This one was arranged by Bob Thompson not Nick DeCaro. Actually i just wanted to recommend this, because today i received my newly reissued copy by Rev-Ola. An even more complete 20 track edition, fantastic remastering, extensive essay and at a reasonable price tag. Awesome. 07 Mar 05 ·laughingmood: Thanks for the info on Bob Thompson's arrangment on this track. All I've ever had is the Japanese reissue and I've never been able to fully read all the info! I'll have to change that. I really need to get that new reissue. I've heard the liners and photos are all really nice. 07 Mar 05 ·delicado: I also have the japanese issue. Are there extra tracks on the Rev-Ola one? 07 Mar 05 ·eftimihn: The Rev-Ola one has one additional track compared to the japanese 19-track version and it's "St. Bernie The Sno-Dog". It was Roger Nichols' first ever recording in 1964 and is, quite frankly, absolutely forgettable (waltzing child-like song, with yodeling and funny voices, makes you feel rather uncomfortable after the preceding soft rock bliss). Nichols refers to this as "a pile of crap" in the essay/liner notes, a track he never really wanted to do. Just read the essay and must say it's wonderfully done. I have to stress that the sound quality on the new Rev-Ola issue is absolutely amazing, surpassing the japanese one on every level: Virtually no background noise, clearer highs, bass is rendered deeper and better, the harmonies got even silkier, overall better dynamics and resolution. It just won't get any better than this. So, kudos to Rev-Ola... 07 Mar 05 ·laughingmood: Wow! That is very cool. Generally I think Rev-Ola's remasters tend to be a bit on the trebley side but of course I'll pick this up. Mainly for the liners by Steve Stanley. This album has been in my top five since I heard it, yet...I know very little of the detailed background because of the japanese liners. Steven Stanley also did the Bergen White reissue liners and is the head of LA-based pop act, The Now People. 07 Mar 05 ·konsu: Hmmm... Once again no mention of Smokey Roberds. He was in the closely related A&M group The Parade. He claims partial writing credits for this in an interview : http://www.doctorroberds.com/parade.html ... If you like this album you owe yourself a listen of that "other" great one-off long player. They do a great version of "Kinda Wasted Without You" thats more raw with less overdubs. Really a magical time at A&M!
The mother of all 'Jet Society' themed songs. Play this at your penthouse-apartment cocktail party and you'll most likely score a free layover with one of the air stewardesses. The choice of a lone laidback trumpet over piano chords is excellent. Mix in a soft percussion beat and you're all set. Come to think of it, phone up your friends and invite them over for cocktails in the grotto.
available on CD - Caf� Noir - Cocktail & Lounge Vol 1
24 May 05 ·eftimihn: Amazing track, excellent choice. The title resembles the mood perfectly.
Thanks are due to bobbyspacetroup for bringing my attention to this track. I foolishly thought I must have heard all the brilliant Morricone in existence. I was wrong. This is an incredibly perfect track, slightly reminiscent of the track 'Jet Society' by the Cordara Orchestra. It has lush strings, and a melody that is typical of Morricone - simple, obvious even, but very effective, with great instrumentation (in this case, harpsichord and later brass).
from Il Poliziotto Della Brigata Criminale available on CD - Belmondo Morricone Verneuil (Playtime)
31 May 05 ·eftimihn: After listening to a fairly large amount of Morricone music over the years this still stands out as one of his very best tracks for me. Oddly enough, this one never got compiled for one of the countless compilations that cover his "lounge" sound of the late 60s to the mid 70s. This should have been on "Molte Mondo Morricone", one of only a few essential tracks that were overlooked on this otherwise excellent trilogy. 31 May 05 ·nighteye: I agree with you, this is a incredible track! The slow lush strings are perfect. I can't say I have heard much of Morricone's music, but if the rest is anything like this - he is going right in my list of favorite composers. 11 Jun 05 ·eftimihn: Nighteye, you should definitely give the Mondo-Trilogy a spin. Can't really praise these comps enough, they actually got me into Morricone and are by far the best ones when it comes to sum up the maestros non-spaghetti late 60s to mid 70s work. 11 Jun 05 ·nighteye: Yeah, thanks eftimihn I think I have to look at those compilations.