There are many memorable cuts on this soundtrack, and I essentially picked this because it's the longest. Anyway, Komeda's score is perfect for the film -- humorous maybe but definetly very, very creepy.

The main theme of Cul-De-Sac. Komeda's off-kilter jazz sensibility was really perfectly suited to Polanski's absurdist comedy. Like many of the best film scores, it seems absolutely essential to the film. If you like Komeda's style, this track really delivers.

The perfect theme to Roman Polanski's underrated comic horror film, The Fearless Vampire Killers. With stacked vocal harmonies, suggesting the background singers at some sort of Bulgarian black mass, floating on bat wings over a very jazzy rhythm section, this song is, at once, very creepy and very funny. I have long believed that Siouxsie and The Banshees came into existence entirely due this influence of this track. (Play it back to back with "Switch" or "Israel" or "Cascade" sometime, and you'll see what I mean.) Stereolab likewise. Broadcast or Goldfrapp could do a brilliant cover of it.