Possibly the greatest song of all time...or at least my favorite. If someone were to take the season of summer and magically turn it into a song, this would be it. Free, happy, beautiful...embodies the fresh feeling of summer. A must have.

"Head's all empty and I don't care..."

i often find myself listening to this right before i go out to have fun. magical.

this song was ripped off by norwegian cult band turbonegro on their 1998 album "apocalypse dudes", by the way. just listen to the track "get it on" and you'll hear what i mean. pretty damn good ripoff, though.

Haunting and magical with fragile, baby-doll vocals. The song describes common sentiments, repeating the phrase "park that car/drop that phone/sleep on the floor/dream about me" with such earnestness that, if you were the object of such affection, it would be nearly impossible not to come back.

This track is recommended for: fans of the Magnetic Fields, Radiohead

If the free design had come from greenwich village and opted for a more folk pop approach they could have sounded like the candian siblings Chuck and Mary. Their songs perhaps doesn´t have the same strong song hooks as "the design" but way more make up for it in their timeless sound and magical voices. Especially on this heartrending track which you can find in an orchestrted version on their second album or acoustic on their first.I´d go for the acoustic one.

More godlike melody from monsieur Arnaud Fleurent -Didier. This one, the title track, taken from his tribute to the french singers and songs of his youth (serge, polnareff and son).A largely acoustic number with a bit bossanova, chansons, strings, a female voice and that extra magical melody chord that only Arnaud seems to be in possesion of. You need this man in your life, right now.

Every one of her songs/albums/cds is magical, but this one is a stand out....very narrative and musically exciting.

A great track to jam to. Extremely different for Ms. Furtado. If you're into it, this is a great song to hoop dance to :)

Nobody could ever describe Madredeus' songs. It's not fado, though it looks like fado. This song is magical and the lyrics are great.

A super-sweet bossa-pop tune. From one of Burt's solo LPs, but actually sung by an unnamed female trio who do magical things with the hypnotically pretty melody line.

This magical track is from a 1965 single produced by Rolling Stones impresario Andrew Loog Oldham. It's a folky pop song with a manically strummed acoustic guitar and constant beat. There's some more full orchestration (brass and strings), but it's slightly hidden in the mix. The charm of this song for me lies in both Nico's bittersweet delivery ("I'm not saying that I love you/I'm not saying that I care/If you love me..I'm not saying that I care/I'm not saying I'll be there when you want me") and the catchy chord sequence in the verse. Some of the bridge sections are slightly corny and obvious musically, but Nico's majestic vocal lifts the song and makes me want to hear it again.

A 60's Italian soundtrack tune that magically combines Pop and Renaissance. Harpsichord and wordless vocals (here, by I Marc 4) were not uncommon in the 60's, but here they are together: if only church music really sounded like this! From a killer sountrack album that has several treatments of about three or four excellent base melodies - all of them excellent. Worth every penny.

Listening again to a compilation I made almost four years ago, I heard this magical track, which really had a big effect on me. It's probably not for everyone. Meandering and rather wistful, it's not at all funky like some of their later work, but I find it utterly compelling.

As you might have heard, Novi Singers were an incredibly talented quartet of vocal singers recording in Poland in the late 60s and 70s. They did several amazing records. This is taken from what I think was their first, Bossa Nova. But rather than renderings of songs like 'One note samba' and 'Desafinado', the album consists of a delightful and varied collection of originals in a related mood. The result is like bossa nova from a parallel, slightly more melancholic universe.

The accompaniment is a slow, gentle bossa played by a small jazz group, with some rich strings dropping in and out, and the vocals (all wordless/scat) take centre stage. The chord sequence is staggeringly beautiful, and at times the vocalists take slightly extravagant scat solos.

It sounds strange to say it, but this is really one of those tracks that seems to tell an enormous, emotional story, in spite of the fact that it doesn't contain one word! It would make a fantastic soundtrack to a silent movie.

I saw this record at a local shop and based upon the up-scale credits (Don Sebesky, Joe Cain, etc.), I picked it up. And Boom! I instantly had the swinginest version of sixteen tons ever recorded! As you can imagine, Don S. puts his magical twist on things, hot on the heels of his A&M/CTI work (The intro for this track sounds just like "Going to Detroit", from the Wes Montgomery album "Down Here on the Ground"), and full of swanky harpsichords and snappy drum beats. Bobby has a very Jack Jones-y sound, super pop, but with that saccharine smarm of an uptown lounge pianist... Great stuff!

Just a magical moment in OST history..

Another awsome but forgotten vocal group from 60's California that deserves a proper re-issue!The Collage were a vocal quartet(2 boys & 2 girls)with a very cool sound.Not enough to set them apart from the pack,but very groovy out of their context.The sound is as good as re-discovered groups like Free Design, or Millenium.In fact,Curt Boettcher wrote one of the songs on the LP,as well as Roger Nichols!
This song has a kind of"love awareness" message that seems just as relevant in today's troubled world: "...Look at a baby,what do you see?What do you see,lookin' at a baby?/I can see the world the way that I would like the world to be!..."This song,as the opener on the LP,has a lot of power, with that great 8th note stomp and a big,boomy,bass line with harpsichord.The arrangements are by the great Perry Botkin Jr.,and he gives the whole record a nice swirling,magical quality.And the rest of the album is just as impressive, and should be worth the high price for any lover of the genre.

I'm really blown away by this song (and this entire album), it's simply a masterpiece to my ears. A possible comparison might be to Oba, La Vem Ela by Jorge Ben (who Verocai arranged for), as the guitar chords and lush, cool tones are quite similar. This song however moves with a much greater sense of urgency, and right from the start, it a spills out like a mournful plea. As a listener, the attention to detail in the arrangement and instrumentation is obvious. The song is packed densely with sound and great short soloing, all played skillfully by a large band of famous contemporaries, whom Verocai personally recruited. There's something very magical about how the vocals and instruments combine, and how the song plays out. It feels as though you are witness to a uniquely perfect and possessed performance that would be impossible to reproduce. A beautifully moving and perfect song that leaves you craving more.

What a great song! Burt's a heavy hitter on these pages, as you can tell I'm sure. There is something magical when he sings, maybe it's because he seems to humble the incredible songs he writes, or that he works with the best singers to walk the earth. Here is Burt at his best, in a spare setting with a strolling rhythm and paced piano chords, almost like he's singing to you across a smoky piano bar. The song conveys a simple truth, and almost makes it seem like a gospel, that nature continues unabated despite human trials and tribulations... How true.

A hard LP to get your hands on it seems. But worth the wait!

This track is simply outstanding, a showcase for Nicolai as well as for Edda Dell'Orso. It's insane how this is put together: funky rhythm section with drums, bass and acoustic guitar, loads of brass throughout, reverb-laden plucked strings interchange with sweeping, floating strings and an incredible vocal performance by Edda Dell'Orso. Hard to describe how magically this is woven together...

The magical Mr Foxx begins to allow some warmth into his sound after the detached ,sometimes clinical feel of his early Ultravox records and alienated classic "Metamatic".The voice is still remote and the lyrics open to a vaugue interpretation but this sublime piece of post punk pop benefits from Spanish guitar and an almost Abba-esque piano motif .This new found warmth adds a feel of hope and optimism to a previously bleak musical landscape .

My favorite ever guitarist. The song is on the Tones album, which was his 1986 debut for Warner Bros, produced by David Tickle(they should work together again - Eric's records have never sounded this good since). Trail Of Tears begins quietly, building up for quite awhile into a fusion of new-wave and Texas Hendrix - yes, you heard me, and it works. At the end the rhythm section drops out and you float with just synth and guitar, which coalesces into Bristol Shores' quiet, arpeggiated clean guitar intro. Bristol Shores is heartfelt and lonely guitar pop, also with a kinda new-wavy feel. I've never heard anything quite like this magical pair of songs, or quite like the sound & style achieved on this record. Eric really should think about revisiting this sound.

This song helped turn me on to Alt-Rock. There was a homemade-looking video that MTV aired a few times. It was kinda grainy and unfocused, which suited this song well as it sounds like it's coming from far away. Still rocking, though. There are moments of shimmery clean guitar that compliment the grunge perfectly. The intro is also shimmery & cool. It takes it's time washing over you before the drums come in. A classic. This whole album is a classic. Only one misfire on it, Bandwagonesque was Spin Magazines record of the year for 1991, eclipsing Nevermind and a host of others in that magical year.

Magical combination of East Indian music and contemporary electronics. The whole CD entitled "OK" is great. Very exotic, oriental, trippy.

The song is wistful, whimisical, magical, beautiful, introspective, and youthful.

This is an absolutely magical song! Juana Molina is a singer/songwriter from Argentina. I first heard her on KCRW (Santa Monica radio station) when I was living in Los Angeles. Her music is totally captivating; it's melodic, ethereal, quirky, whimsical, a little melancholy sometimes, very very sweet. She often uses acoustic instruments (guitar, piano), but what makes her music unique is her use of electronic elements. It often sounds like she is recording in the middle of the rainforest. Tres Cosas, from the album of the same name, is a very up-beat, sparkly little song. Her live performances are archived on the KCRW website: http://www.kcrw.com/ (do a search for Juana Molina in the "Find it!" feature), and you can purchase her music at:
Gourmet Musical http://www.gourmetmusical.com

Funky Rock. Nice Title! Sweet Lyrics. And i love the Beach Boys break. Move over George Martin!
Is this the best concept album since "Dark Side Of The Moon / Wish You Were Here". Or Maybe even "�Sgt. Pepper's Lonely Hearts Club Band/�Magical Mystery Tour"? Very Trippy Rock! Nice electronics. How do you sound like Neal Young, Bread, America, Pink Floyd, Moody Blues, David Bowie, Beach Boys and the Beatles all at once? You can hear the full album through the thier site: www.flaminglips.com
Super Generous & Super Talented. One of the most beautifully produced albums ever!
POP HEAVEN! "Light Side of the Moon" for the new millennia.