ok, go out and get whatever jack johnson you can get your hands on now! I first fell in love w/ his first album back before anyone knew him. I will admit though, that my little bro and I came up with some pretty hilarious alternate lyrics for his first big song on the radio. It took me a good while to get used to his second album, now I probably listen to that more, and then again with his third album, again, it took me a while. but he is truly great.
he started out filming pro surfing videos, and you can see where he is coming from. really chill, folksy music. good stuff

The sweet soft voice of joanne Robertson makes a really cool contrast with the graspy and kinda dark voice of Dean Blunt plus the classical guitar playing chords that sounds like the end of a movie or a sunset. IDK it just sounds pretty cool, one of my favorites songs of my life.

A song from the younger days of Conor Oberst. The lyrics are amazing, and he may not be the greatest singer we've ever heard, but he sings it with such intensity it gives you the chills.

Like Stairway to heaven, only better. Real drive and from bonham, good direcion, and purposeful without beaing to hasty.

A beautiful, soft, sad, fragile piece about a couple breaking up and bursting into tears as they do. Incredible for its intimate feel and sparse instrumentation (voice, organ, harmonica, egg shaker) chilling lyrics 'you close your eyes but there's no paradise, you count the cost of all we've lost and all we've wasted'. It hits the nail bang on the head! Love it to bits.

Simple Mind's second single, "Chelsea Girl", was an apt follow-up to its predecessor "Life in a Day", an epic chant, a shimmering melody, and a sing-along chorus that paid spell-bound homage to Velvet Underground chanteuse Nico, in her role within Warhol�s movie of the same name.

Producer John Leckie gives "Chelsea Girl" a lovely delicate quality, especially across the long, tinkling keyboard intro, an aura that barely dissipates even when drummer Brian McGee and bassist Derek Forbes's kick in with their thumping rhythm. The band were proving to be masters at these juxtaposed styles, creating rock solid bases and overlaying them with much more fragile and elegant melodies and atmospheres. Here, those latter are close to effervescent and, as the band shift down into the long bass-driven, overlapping tag teamed vocal outro (a playful lift from Roxy Music�s �Mother Of Pearl�, but no matter), absolutely crystalline.

On album and onstage, �Chelsea Girl� remained fans' favorite, on 45 though, it inexplicably crashed and burned, and didn't even reach the UK chart.
(AMG)

i've always had a weakness for clarinets. especcialy in jazzy hip hop-influenced chillout music. love the lady-sample.fits comfortably next to the following track, "love scene", too.
a nice bit of incidental music for your life.

Yes!!!! Found it!
I live in England (nearly 20 years, but am originally from Holland. Saw twice a new commercial the last 2 days on tv here (can't remember what it was for), but regonised the song that was played in it (although it wasn't the original version). I knew it was a hit in the sixties. And always liked it. But hadn't heard it for years! My partner ,who's english, knows and does remember a hell of a lot about (popular)music and whenever a song is played HAS to announce WHO, WHAT and IN WHICH YEAR IT WAS A HIT! Get's a bit annoying at times.
He said he knew it from a "chill"-album, but I told him I was certain that it had been a hit in the sixties.
After surfing the web for an hour orso tonight, and not even quite sure if the title was "Daydream" and not knowing at all what the bands name was. At some point I found out that it could be Wallace Collection, but eventually after finding your website, and you were the only one I was able to hear that song, I got it right!
Thank you so much. The song brought back so many memories! I will keep your website in my favorites list. It was a great help.
Thanks again, Trijnie

"Baby you understand me now..." sends chills down your spine.
This is the best version of this song that I have ever heard!! If you are familiar with The Animals version, then give this one a try. You won't be disapointed.

This is one of the Deftones first songs that got them started. Although other hits off Adrenaline were played more, this is always a fan favorite. Deftones was one of the first artists to mix rap and heavy metal, and did a damn good job of it, paving the way for bands like Limp Bizkit and E-Town Concrete. If you like heavy music but want to just chill, this is for you, its heavy but it also has the ability to let you shwerve.

I don't have much to say, but this song sends a chill down my spine everytime I hear it. It's the first Ben recording that really "clicked" for me and has held up to countless listens.

I am a massive Moby fan, but this has to be my favourite piece of his music. The album version fails to do the arrangement justice. But most beautifully done 'Live on TV Jools Holland' this recording is unfortunately only available on 'Moby Play The dvd'.

This song is labeled "Indie Rock". It always cheers me up. No matter what goes wrong, we'll make it through.

Quality Tune! Mr Scruff is from the Ninja Tune label (Nuff said!)Find it and enjoy (Dance music, kind of!)The album has been out a while but if you haven't heard it it's well worth a listen

Nigerian blues roots music that is great for anyone chillout

What a great blend of electronica and easy listening this track is. Think of it as a trippy, chillin' "A Summer Place" in outer space with gentle male/female vocals, some french whisperings and sparse, delicate electronica intertwined with the memorable, lush string melody sample of "A Summer Place".

bossa nova version! superb cover of the clash classic. highly recommended.

Here is a prime example of the endless amount of creativity this band had.
They take a song/ concept from a broadway musical, and transform it into an unparalelled, irresistable rock classic.
(That you will NEVER F*#%ing HEAR on a "Classic Rock Station" - They choose stale ClearChannel Playlists over quality & taste)

Alice & the band (his best lineup ever, 1969-74) have created a masterpiece of imaginative rock music here.

The sequence beginning with:
"...Midnight/ Catfight/ Neckbite/ ...Die!"
...and the following interlude leading up to the
'Street Fight' and including the 'Jets Chant'
is one of my favorite pieces of music EVER, by ANYONE.
I get chills to this day.
I wonder if Leonard Bernstein ever heard this, and what he thought.

Chill classic!

spine chillin'

Nina's version of this George Harrison classic is brilliant. She makes this song sound as if it were her own. The emotion in her voice send chills down my spine.

This song is recommended for anyone who likes Weezer's Undone (The Sweater Song), and doesn't know its true roots. This track happens to be the exact same song, with different lyrics, recorded many a year before Weezer came along. With a slow and steady tempo and half-sung, half-spoken lyrics, this chill classic is a must for any playlist.

You may remember Annie from her/their housey dancefloor number of a year or two back "The Greatest Hit".

Well, they've come back with this, a sublime downbeat track with a lush-yet-delicate female vocal. Instrumentally, it reminds me of a slower, swinging P-funk number, quite minimal beats but funky as all hell (in a chill kinda way).

Absolutely beautiful -hard to find but worth looking.

Originally a limited-release 7" on Norwegian label Telle, and quickly licensed by UK house label Loaded -it appears on a sampler they released late 2002.

This sounds like the sun going down on 15 years of dance culture ,the raver sounding older and wiser on this Ibizan sun kissed "dance ballad" ?
A reflective intro gives way to a keyboard break chorus and back again but building in layers to a celebratory pitch ,both chilled and euphoric in equal measure ,a grown up dance track for the Brit Pop generation

great version of the classic gainsbourg song. this is one of the bonus tracks on the rerelease of "oh ah", and it features some absolutely fantastic backing guitars courtesy of alex chilton. a pretty lo fi recording, but the feel on this is quite a few notches up from the album version. it basicly gives me the chills and stops me from doing anything productive each time i hear it. probably the most played track in my itunes folders right now.

(original recording by serge gainsbourg. think there�s an english language version by mick harvey.)

Picture yourself in a boat on a river.

Actually, in this case it happens to be the middle of the ocean. Just drifting any direction. No land in sight, nothing else on the water, not even any clouds. No distractions. Just you, the boat, and the water.

Oh, and Julie -- she's there -- with her open blouse, gazing up into the empty sky.

What's so powerful about Eno's "Julie With..." (and this is perhaps representative of his entire career) is that he gives you an experience in perfect detail, as if reading a book.

Even if you discount the lyrics, which, although not exactly Shakespearian, are clear and unambiguous, there is no escaping the image that Eno is presenting.

Casting aside any overanalysis, what we're left with is an outstanding bit of relaxing, but emotionally evocative chillout music. Completely beatles, the instrumentation is typical Eno: pad synthesizers, minimoog and guitar with heavy chorus. Not something you'd throw on at an afterparty, but great for a sunset in solitude.

A gorgeous ,lively instrumental set to a gentle piano driven house beat.Uplifting and glad retaining the joy of disco music

this entire soundtrack to the film la planete sauvage comes highly recommended. never seen the film, but it can�t possibly be as good as the soundtrack suggests.
chilly, funky instrumental orchestral music. there�s a really haunting recurring theme through the album, nice use of choirs and twangy guitar too.

mostly the lyrics/vocals but the music is also pretty chill idk

Nouvelle Vague is the project of Marc Collin and Olivier Libaux, who basically took classic late 70s/early 80s new wave songs and transformed them into light, easy going, predominantly bossa tinged tracks, including heavily accented, whispery Longet-esque vocals. They claim these young vocalists never even heard the original songs. It works brilliantly for sure on "Love will tear us apart" where they manage to interpret the song as a melancholic, chilled stroll down a beach with sparse percussion, acoustic bass and guitar, vibraphone and some samples of waves rushing on the seaside. I'd like to think even Ian Curtis might smile down on this cover version...

From The KLF's brilliant ambient album CHILL OUT. I highly recommend this entire album. Buy it now. You won't be disapponted.

If you've never made love to hip hop, this is a good track to try out. It's over 8 minutes long and should serve as a tight backdrop for spittin' your weak game on those bitties. And if you get the album, the very next track, called "April Showers", picks up nicely where "Man's Girl" leaves off. Enjoy, Casanova.

'Metal Warriors' is Manowar's call to arms, a joyous rallying cry to all the "Brothers of True Metal" of the world. Stand tall and proud, they implore, for the magic of the metal has brought you here. The power within each and every one unites them, and to exclusion of everybody else ("if you're not into metal, you are not my friend!"). Anyone that tries to suppress their might will be met with fearless defiance, "we don't turn down for anyone, we do just what we please!". And they live and die metal, and will not tolerate fakes and frauds and softies, "heavy metal, or no metal at all, wimps and posers, leave the hall!" rings out the epic chorus, "heavy metal, or no metal at all, wimps and posers� go on get out!"

So, anyway, put your reservations aside and head out into the streets to find this one, just this one*, awesome, thumping Manowar track. Spinal Tap were playing for laughs, this however, is frighteningly real.

*although 'Achilles, Agony, and Ecstasy in Eight Parts: Prelude/I. Hector Storms' their 30 minute interpretation of Homer's Iliad is certainly worth a listen.

B.o.B is rap/rock. This song is very calm, it is good for being high and chilling out.

Her voice is so flawless and haunting.She gives me chills.

What can one say that hasn't already been said about this much sought after library track by Norwegian composer Sven Libaek? It's elegant, replete with cool tones, beautiful arrangement, and the feeling of longing. I've listened to this song countless times, and the mist still gives me the chills.

French Hip-Hop (don't let that put you off!)well worth a listen! Title track to this excelent album.

Classic New Zealand psychedelia .... jangly guitar, haunting, evocative lyrics, fragile vocals and an otherworldly feeling which perfecly evokes Dunedin. The best New Zealand pop song ever written.

heavenly guitars, a simple bassline and bang! you have yourself a pop song.

sexy, great guitar and dance-able beat. very chill

This sultry ballad from 1984 is the perfect showcase for Tina's great voice. A nice chill out song and good soundtrack for a romantic evening.

Chill, simple guitar.

Chill and cozy. Kind of epic. I love it

Indie rock style song, introspective lyrics, and when the song changes pace and breaks it down, I get chills every time. One of my favorite songs of '09.

the intro to this song is on a kazoo. the rest is guitar and awesome lyrics.. "i'll make a shoehorn out of your shin" ... my only complaint is that this song is too short

On a few cafe del mar type albums but don't let that put you off also on the excellent new big chill album. Vollenweider is a highly underated harp player this is a gem which will make your heart sing. It's one of those songs that kind of teases you with what it's going to do and then does it unashamedly and then just when it sounds like it's going to just noodle off to sleep it starts nudging you and letting you know your going to get it again, little minx! Sorry but this is aural sex - download - you and everyone you know will love it maybe not as much as me but they will.

This one fits well with with my previous reccomendation in the melancholy/eerie vein. I read somewhere that the song was in the African JuJu style, but discofied of course given its 1976 production. It was this song that proved to be the Dr. Buzzard . . . was not your average disco band. Cory Daye's vocals are beautiful and harken back to an earlier era of classic jazz vocals, like Ella and Billie. The children's backup vocals are what gives it the spooky quality, probably because the intrumentation is dark, like seeing those cute (but scary) kids come out of the corn fields in Children of the Corn. The last chorus just sends chills down my spine as Cory digs into the lyrics and dances around them as the everything sort or brightens up, like the sun coming out after a summer rain. This makes the title all make such perfect sense.

Trance/space/electropop when its at best. This track really gives you an impression about being in space, seeing colored nebulas, and pulsars.
This is the kraftwerk of the 90ies.
Starts with lots of spacesounds, and choirlike chords. Evolves with a snappy bass, and fast drums. Great chillout music.

Cosmic Baby also worked with Paul Van Dyk, and got Paul interest into music.

Jazz Hip-Hop fusion with the smooth voice of that bird from Moloko. You'll find it on the Handsome Boy Modeling School album from Prince Paul & Dan the Automator (Quality)

I always thought Nico was kinda ridiculous. But when I saw the Royal Tennenbaums a few months ago and they dropped this tune, I was sold. This whole album is a great mixture of strings and Nico's barren, exact vocals. The soundtrack is great, no doubt, but get "Chelsea Girl" for the full impact.

This is absolutely a song to chill to. not for someone who wants to jam or anything but the samples used in this electronic piece of music are especially crisp. Very nice to relax to at night.

Top DJs/Producers unite to remix favourite classics from the Verve vault. It's the 21st Century spin on Jazz classics. Even if you're not a fan of electronic music, jazz enthusiasts will enjoy this fresh take on these classics. The record is simply chilled to perfection.

The best political song ever written, "We're Still Free" concerns the famous tragedy of a Korean passenger jet shot down by fighter planes when it strayed into Soviet airspace. Yet in recounting this act of barbarism on the part of the Soviets, it also implicates the righteousness of the American side of the Cold War ("We're still free here in America"). The song sets up a chilling contrast in the singing of the two performers, with Frith crying out almost desperately against believing what the media tell us, while Tom Cora gently croons the part of the Soviet air controllers as they decide to destroy the plane. Skeleton Crew was a two-man band with both performers playing drums with their feet along with electronics and strings. Here they set a contrast between the grand, arcing lines of the cello and a homey picking of the violin that's almost shockingly sweet and funny. Critical of anti-democratic trends in the West, Skeleton Crew was criticized by fans in Eastern Europe for taking freedom for granted.

This exceptionally haunting and lyrical song by Quincy Jones has received its definitive interpretion by Astrud Gilberto with arrangement and accompaniment by the Brazilian organist Walter Wanderley. The melancholy urgency of the piece resonates well with the dark/sad tonality that pervades so much of Bossa Nova music, though its character is also reminiscent of certain otherwise very different pieces from the bebop era, which had a formative influence on Quincy Jones' music. There is definitely the remote influence of Charlie Parker and especially Dizzy Gillespie. It's truly a completely unique piece. The drifting melody which seems to skirt over the chord changes has a beautiful inevitability. Only a very gifted and skilled musician could have contrived such a beautiful work. So Quincy Jones deserves especial credit for crafting this song from the film "The Deadly Affair."

Astrud's delivery, so typically limpid and restrained, only serves to heighten the intensity of this darkly passionate song. The subtle but somehow fierce organ playing of Walter Wanderley acheives a sizzling romanticism that perfectly complements the reading of Astrud's apparently detached fatalism.

In my opinion, this track is a true musical masterpiece. Its remarkable economy of means is a testament to the skill of the composer as well as the artistry of the performers. In fact, it's a nearly perfect combination of expressive means and poetic intent. The beautiful resolution, with Astrud's perfect striking of the high B-flat over the half-diminished F-minor seventh, is a moment of sublime dramatic intensity, though profoundly understated, as is typical of her finest artistic moments. One is reminded of Miles Davis. Her poetic skill is rooted in subtlety.

I have listened to this extraordinary track hundreds of times, and always experienced chills rising up on the back of my neck. How amazing that this incredible musical gem was omitted from the original album A Certain Smile, A Certain Sadness. Perhaps it was too intense, too heavy; whatever the case, it's a truly remarkable piece of music.

I'm truly grateful to have discovered this great albeit minor musical masterpiece. There's really nothing else quite like it! The sizzling but subtle sensitivity of the rhythm section (Claudio Slon on drums, possibly Joao Gilberto on guitar and Jose Marino on bass) adds an intensity to the piece which helps project the almost existential tone of the song.

I'm really swept away by this obscure and neglected work, which attains -- for me at least -- to a peak of poetic intensity really rare in music. As is usual with Astrud at her best, it accomplishes its artistic ends with what seems like the most minimal of means. But subtlety is always the avenue to the most profound of artistic experiences. I think this is a remarkable example -- one of the greatest -- of the wedding of popular music and high art. It is a truly perfect performance. In my opinion, its greatness increases rather than diminshes with repeated listenings. There is only one word for that -- it's magic!