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You searched for ‘sadness’, which matched 22 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
she makes me wanna die  performed by tricky
Recommended by javaviolet [profile]

A very melancholia song. Tricky, with the help of a female singer (though I don't know who) set you adrift the feeling of sadness and depression. If you ever felt like you were nothing from a friend, this is your song.




new: sleepy sunset  performed by the uniform tragedy
Recommended by neko mina [profile]

It's a really simple song, musically. just some synth a guitar and two voices. both tinged with sweetness and a bit of innocence and sadness. the best line is probably "i can picture your heart falling to the ground from 13 stories up, i'll drop a penny from where i stand and see which one hits first".




Leave Out Babylon  performed by bunny & Skitter
Recommended by james [profile]

perfect hangover listening. just as the piercing headache eases off and the sadness and self-loathing set in, " I'm gonna leave out Babylon, gonna make the change"...




who needs forever  performed by astrud gilberto  1966
Recommended by coffman [profile]

This exceptionally haunting and lyrical song by Quincy Jones has received its definitive interpretion by Astrud Gilberto with arrangement and accompaniment by the Brazilian organist Walter Wanderley. The melancholy urgency of the piece resonates well with the dark/sad tonality that pervades so much of Bossa Nova music, though its character is also reminiscent of certain otherwise very different pieces from the bebop era, which had a formative influence on Quincy Jones' music. There is definitely the remote influence of Charlie Parker and especially Dizzy Gillespie. It's truly a completely unique piece. The drifting melody which seems to skirt over the chord changes has a beautiful inevitability. Only a very gifted and skilled musician could have contrived such a beautiful work. So Quincy Jones deserves especial credit for crafting this song from the film "The Deadly Affair."

Astrud's delivery, so typically limpid and restrained, only serves to heighten the intensity of this darkly passionate song. The subtle but somehow fierce organ playing of Walter Wanderley acheives a sizzling romanticism that perfectly complements the reading of Astrud's apparently detached fatalism.

In my opinion, this track is a true musical masterpiece. Its remarkable economy of means is a testament to the skill of the composer as well as the artistry of the performers. In fact, it's a nearly perfect combination of expressive means and poetic intent. The beautiful resolution, with Astrud's perfect striking of the high B-flat over the half-diminished F-minor seventh, is a moment of sublime dramatic intensity, though profoundly understated, as is typical of her finest artistic moments. One is reminded of Miles Davis. Her poetic skill is rooted in subtlety.

I have listened to this extraordinary track hundreds of times, and always experienced chills rising up on the back of my neck. How amazing that this incredible musical gem was omitted from the original album A Certain Smile, A Certain Sadness. Perhaps it was too intense, too heavy; whatever the case, it's a truly remarkable piece of music.

I'm truly grateful to have discovered this great albeit minor musical masterpiece. There's really nothing else quite like it! The sizzling but subtle sensitivity of the rhythm section (Claudio Slon on drums, possibly Joao Gilberto on guitar and Jose Marino on bass) adds an intensity to the piece which helps project the almost existential tone of the song.

I'm really swept away by this obscure and neglected work, which attains -- for me at least -- to a peak of poetic intensity really rare in music. As is usual with Astrud at her best, it accomplishes its artistic ends with what seems like the most minimal of means. But subtlety is always the avenue to the most profound of artistic experiences. I think this is a remarkable example -- one of the greatest -- of the wedding of popular music and high art. It is a truly perfect performance. In my opinion, its greatness increases rather than diminshes with repeated listenings. There is only one word for that -- it's magic!

from A Certain Smile, A Certain Sadness, available on CD



  rio: you must pick-up the quincy jones soundtrack (released with the score to "the pawnbroker") with astrud singing "who needs forever". The lush quincy jones score is hauntingly beautiful, and astrud never sounded better. This version is the real deal for me..
  rferus: Amazing guitar on this piece.
I Think It’s Going To Rain Today  performed by Dusty Springfield  1968
Recommended by FlyingDutchman1971 [profile]

The lady may have left the stage, but her spirit lives on in her recordings, and this is among her finest!! Sadly unreleased in the US for 28 years, this gloriously somber song was included in the 1995 anthology box set. Dusty sings with a sadness in her voice as she vocally paints a picture of a dreary day. While the overcast sky fails to crush her spirit, it does provide an opportunity for introspection and reflection. She is accompanied only by piano and orchestral strings which give this song a beautifully sad sound that make it perfect for playing on a rainy day.

from the Dusty Springfield Anthology, available on CD




  delicado: I must say, this is a quite brilliant recording; thanks for mentioning it! I heard the original Randy Newman version the other day, but to me, neither the arrangement or vocal performance were a patch on Dusty. Not that I'm biased or anything!
Only a Fool  performed by Clyde Mcphatter  1968
Recommended by geezer [profile]

An attempt to bring a former soul legend up to date at least in 1968,a beautiful soulful ballad composed by Apple man Jackie Lomax and put out by brit psych label Deram .as it happened it sank without trace audible only to collectors of rare soul and sixties pop compilations which is a shame because this is a fine song tinged with a sense of audible regret and sadness that proliferated many a late sixties chart hit of inferior quality

from Best of


(Quicksilver Daydreams of) Maria  performed by Townes Van Zandt  1970
Recommended by andrew76 [profile]

This is (for me) one of the greatest songs of love ever written. The song describes the appearance of a goddess among women and is pure (if at times naive) poetry. The arrangement is simple lead and rhythm guitars and bass with an organ giving a more filled out feeling from the second verse and violin in the fourth. The tone is melancholy but happy, as if the singer is basking in the light of this most beautiful woman. It must have been written for someone, someone lucky to be thought so beautiful. But there is sadness in that the singer may be singing of his unrequited love. Some of the alliteration is fantastic too.

from Townes Van Zandt, available on CD



  booblikon: there is a great story in the documentary film "Be Here To Love Me", as told by Guy Clark: this song apparently came to Van Zandt in a particularly peak morning of inspiration, when Clark describes finding Townes uncharacteristically fit and alert. after making his bed to military specification, he played Clark a new song (this one), which he intended to perform at an appearance that same evening. i may have rendered parts of this story incorrectly, so i definitely recommend the movie if you are a fan; even if not, as it is sad but quite revelatory.
We're Still Free  performed by Skeleton Crew  1983
Recommended by havadonut [profile]

The best political song ever written, "We're Still Free" concerns the famous tragedy of a Korean passenger jet shot down by fighter planes when it strayed into Soviet airspace. Yet in recounting this act of barbarism on the part of the Soviets, it also implicates the righteousness of the American side of the Cold War ("We're still free here in America"). The song sets up a chilling contrast in the singing of the two performers, with Frith crying out almost desperately against believing what the media tell us, while Tom Cora gently croons the part of the Soviet air controllers as they decide to destroy the plane. Skeleton Crew was a two-man band with both performers playing drums with their feet along with electronics and strings. Here they set a contrast between the grand, arcing lines of the cello and a homey picking of the violin that's almost shockingly sweet and funny. Critical of anti-democratic trends in the West, Skeleton Crew was criticized by fans in Eastern Europe for taking freedom for granted.

from Learn to Talk (Rift (US)/RecRec (Switz) Rift/RecRec 08/05)
available on CD - Learn to Talk/Country of Blinds (RecRec (ReCDec 512))


Whistle Down the Wind  performed by Nick Heyward  1983
Recommended by geezer [profile]

A lush orchestrated pop song that carries the sadness of autumn and the hope of spring in its stunning almost visual arrangement ,piano ,acoustic guitar and strings weave in and around a deceptively simple song whose chorus will stay with you long after music ends.Very close to perfect pop ,if such a thing exists,thoughtful ,intelligent ,sensitive and humourous .

from North of a Miracle
available on CD - North of a Miracle (Bonus)


You remain an Angel  performed by Danny Wilson  1987
Recommended by geezer [profile]

An eighties incarnation of the epic sadness and yearning that the Walker Brothers did so well with the songs of Jaques Brel and Bob Gaudio(Sun aint gonna shine Anymore).This band was a rare thing at this point ,they had aspirations to write great timeless songs when drum machines ruled the world.On this ,they suceeded ,the songs heartbreaking climax could make a man cry,awash with brave brass and orchestral tears leaving a man broken in two and drowning in his own tears by the time the song fades into an eerie percussive silence .

from Meet Danny Wilson, available on CD


The Road to Happiness  performed by The Lilac Time  1988
Recommended by geezer [profile]

Recorded early in Stephen Duffys long and mostly un recognised consistantly brilliant career ,this from the first Lilac time L.p ,itself,an eclectic jewel amidst late 80,s polished mediocrity .A mournful folky number played out on a harmonium,accordion and light percussion ,sadness never sounded so uplifting and hopeful.Everytime i hear Duffy now i cam imagine Robbie williams covering .

from Lilac Time, available on CD


The Nightingale  performed by Julee Cruise  1989
Recommended by JoNZ [profile]

This song breaks my heart every time I hear it. Musically, it's like "Leader of the Pack", but at a snails pace. the thing is that the lyrics and Julee Cruise's delivery are so full of sadness and desire. The feeling grows as the song progresses, especially when the background wail kicks in. It illuminates dark places in the heart. This song is also included on the Twin Peaks sound track.

from Falling Into the Night, available on CD


Iris  performed by Goo Goo Dolls  1990
Recommended by irisbuen [profile]

I love the song because the orchestra background is simply marvelous. The lyrics fit so well and knowing that this was a product of John Rzeznik's awakening from his writer's block, I'm a proud bearer of the name same as the title of this song.

A must-hear for those who are cynically in-love.

from Dizzy Up the Girl


Just Melancholy  performed by Roy Montgomery  1994
Recommended by LawrenceM [profile]

A beautiful, melodic ode to sadness, from reclusive New Zealand guitar genius Roy Montgomery. (His first band, The Pin Group, released the first ever single on the now-legendary Flying Nun Records.) Lyrically and melodicly, this song would fit neatly into the canon of either Joy Division or The Smiths, although Monthgomery's beautiful guitar playing owes more to Tom Verlaine than Johnny Marr. Probably the best sad song ever written by a New Zealander .... maybe anyone.

from 324 E. 13th Street #7, available on CD


Desire Lines  performed by Lush  1994
Recommended by parlop [profile]

So beautiful and quietly emotional as a lot of shoegazing is. One of their longest songs... it starts out with the wailing guitar melody that's repeated throughout and accented by Miki Berenyi's calm and melancholy vocals, but the instrumental parts are really the most prominent parts of the song. The best part is at around 3:53 when the guitars go crazy. the whole thing seems very representative of sadness and getting to that point where you just can't hold it in anymore and you start weeping hardcore. it's a good song... the only one that can make me cry over and over again.

from Split (4AD)


Love To Drink  performed by Slim Moon  1997
Recommended by jeanette [profile]

Good spoken word just DOES it for me.

This song explains why Slim loves to drink. "I love the great ascension of an evening spent drinking. Every other drug you go up and down like an arc, but with booze you just get drunker and drunker..." When people say he's a drunk, he says "why should I worry about something that makes me feel better?", which is one of the most touching lines I've ever heard.

The instrumental behind him is "People Are Strange". I'd like to think Slim picked it because it was in The Lost Boys.

from Won't You Dance With This Man?, available on CD



Appels + Oranjes  performed by Smashing Pumpkins  1998
Recommended by Groucho_75 [profile]

Apart from their hit songs, I have only recently got into The Smashing Pumpkins and this track stands out for me as brilliant. Great lyrics and a steady pumping beat make this difficult to not listen to over and over again. I think you need to invest time in their songs before you start to like them. That was definately the case with this song, on first listening it didn't really stand out, but now I would put it alongside 'Ava Adore' as one of the best tracks on the album 'Adore'. Also listening to 'Mellon Collie and the Infinite Sadness' at the moment, another album that grows on you once you put the time in.

from Adore, available on CD




  yesihk: Agreed. This is my favorite track off of Adore. I'm normally not one for the pulsing techno-esque sound, but this is just so different from anything like that that I've ever heard. It has a certain understated ambience that I think makes this song so listenable. Really evokes a specific mood. Like most of the tracks on this cd, it takes a few listens to really appreciate it to its full extent. Some advice: don't dismiss Adore as "bland" or "folky" after your first listen as I did. Don't have any previous expectations, either, (i.e. it's not going to be another Mellon Collie, okay?) or disappointment is inevitable. You just need to hear it for what it is, and not just as another Smashing Pumpkins album. Give it a few thorough listens, and I promise it will grow on you. Or else you can go running back to Zero. :)
He was here but not for long  performed by Sally Dastey  1998
Recommended by phil [profile]

Ridiculously sentimental and melodramatic like a number of songs on this album, but as often rescued by the singing and in particular by Sally Dastey's voice - really, this woman is genuinely the best singer I have ever heard - a beautiful, plaintive Australian accent that deserves to be ranked with asrtud gilberto as one of the most distinctive voices in pop.

The music here on this song very simple - just a banjo, guitar, and mouth organ for backing, with Dastey singing 'he was here, but not for long/ I'll let you in on a little secret now/' before suddenly just speaking, with immense sadness - 'he wasn't the best worker we ever had'. Really fantastic folk music.

Sally Dastey was one of the Tiddas, who I have gone on about elsewhere on this site.

from Over In The West
available on CD - Over in the west


My Weakness  performed by Moby  1999
Recommended by lionson76 [profile]

Instruments are piano and strings (I think). The music is hypnotic; it overwhelms me with a profound sadness yet simultaneously instills a sense of complete joy and satisfaction. The track is entirely too short, which justifies the execution of Moby for such an act of cruelty.

from Play, available on CD




  javaviolet: I love this song. Though I could never explain to anyone to what full extent. The music speaks volumes to me, and makes my heart just melt away.
Kevlar Soul  performed by KENT  2000
Recommended by Carrie [profile]

Summertime, I'm the silence as the wind blows.

from Hagnesta Hill (English edition), available on CD


On Love, In Sadness  performed by Jason Mraz  2002
Recommended by Squince [profile]

from Waiting For My Rocket To Come (Elektra)


Late Goodbye  performed by Poets of the Fall  2003
Recommended by wlodi [profile]

This great song made its first appearance in the hit game "Max Payne 2: The Fall of Max Payne" (released October 2003) and instantly became a hit - people were asking for this song everywhere they could, they were sending emails, trying to buy it. It has an indescribable atmosphere. The song was released in June 2004 as a single and then on the first Poets of the Fall's debut album that hit the road 19th January 2005.

from Signs of Life, available on CD


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