Meeeeoooow!! Geez... This song is mad-mad-mad! Everone makes a big deal about E.V.A., but for my money, this is the track on the album that makes the most of the MOOG. It's just soo wild! It's like somebody gave The Shadows a couple of Mini Moogs and they just jacked-in with this crazy spy-blues groove! People like Perrey & Gershon Kingsley did more with those instruments in the first few years of their existence than anyone else did in the 30 years following.... Barbaric!!
from Moog Indigo (Vangaurd VD6549), available on CD
I had to mention my favorite Claudine tune. A nice cinematic piece about an enigmatic lover with "Laughing eyes & dark brown hair..." who sweeps her off her feet, then splits with her dough when he goes to buy a ring. The track is touched by the deep-blue sax of Ernie Watts, which gives the track a "Noir-ish" vibe. Look of Love is one of the best records she did in her short career. Arranged by the genius Nick DeCaro, the godfather of A.O.R. !
from Look Of Love (A&M SP - 4129), available on CD
Wow! I have been consuming a lot of baroque pop and jazz recordings lately, and while some of them are just nice, this one is astounding! Just imagine Bach-boogaloo, and you have most of the picture here. This piece sounds as fresh today as it did in the 60's! The arrangement is wild as all hell, and has to be heard to be believed. They also do great versions of "Sunshine Superman" & "Up, Up and Away"!
from Mariano & The Unbelievables (Capitol ST 2831)
08 Nov 04 ·delicado: This does indeed sound fantastic. The harpsichord break in the middle of your clip sounds very like Hugo Montenegro's 'Lady in Cement' theme. I understand they had other albums; have you heard them? Are there any vocals? Thanks! 08 Nov 04 ·konsu: Yes. They did another for Capitol the same year called "The 13th Hour". Haven't gotten around to picking it up yet, but from what I can gather it's the same affair, no vocals I'm afraid... Hugo's stuff is great for funky harpsichord cuts, I love that soundtrack!! 08 Nov 04 ·konsu: Sorry delicado, it's "The 25th Hour". I had it mixed up with another album, and another increment of time it seems...
I saw this record at a local shop and based upon the up-scale credits (Don Sebesky, Joe Cain, etc.), I picked it up. And Boom! I instantly had the swinginest version of sixteen tons ever recorded! As you can imagine, Don S. puts his magical twist on things, hot on the heels of his A&M/CTI work (The intro for this track sounds just like "Going to Detroit", from the Wes Montgomery album "Down Here on the Ground"), and full of swanky harpsichords and snappy drum beats. Bobby has a very Jack Jones-y sound, super pop, but with that saccharine smarm of an uptown lounge pianist... Great stuff!
A real up-beat number for a very cerebral tune! All AK's records are full of wierd moments and odd delights, this is the one from the set that aim's to please! It starts out with the groups signature harmonies in a acapella almost swingle-like mode, and then kicks in to a hybrid pop groove from heaven, with castanets clacking away ... And the lyrics are wild ! :..." What's the difference being different when it's difference now that looks alike, you say i'm changing and i'm not so sure it's wrong..." " It's just that centerline on this highway runs up my banjo neck, and I feel somehow that it's natural to be gone..."
Written by John Hartford. A name i've seen before, but i'm not familiar with his work. I'd like to know more if anyone knows his definitive recordings!
09 Jan 04 ·rio: John Hartford was a regular on The Glen Campbell television showof the late 60s, he wrote "Gentle on my mind" among other pop hits done by other artists.. talented writer and musician.. 18 Apr 07 ·artlongjr: Hartford was a favorite of mine as a kid, I used to see him on the Smothers Brothers and Glen Campbell shows, where he was somewhat of a regular. He was a celebrity back then for writing "Gentle on My Mind" which became a 60s standard. I do recall that he was a riverboat captain as well as a musician. He died a few years ago, which I was sorry to hear, but I've seen a number of his CDs that were on the market. I love his 60's stuff, he had a great laconic style.