TRANSLATE THIS PAGE into GERMAN | SPANISH | FRENCH | ITALIAN | PORTUGUESE
 HOME |  REGISTER | FORGOTTEN PASSWORD | SEARCH or BROWSE | RECOMMEND | EDIT | LINKS | MOST RECENT
musical taste home
search results
search results for “party”
download an m3u playlist for all available clips for the search party

List songs by Song title | Performer | Year

You searched for ‘party’, which matched 55 songs.
click - person recommending, year, performer, songtitle - to see more recommendations.
Blues Party  performed by Gert Wilden
Recommended by GeorgyGirl [profile]

From a career supplying funky/hunky, cheezy/sleazy grooves to a series of late Sixties/early Seventies German soft-core flicks, Gert recently apeared on "Eurotrash"...perfect music for when you're feeling a little "saucy", in the European parlance.

from Schulmaedchen Report, available on CD



Dance and Shake Your Tambourine  performed by Universal Robot Band
Recommended by mr_klenster [profile]

Find this song! It is by far one of the funkiest things I've ever heard, it absolutely screams party. The lyrics repeat "dance and shake your tambourine, your funky tambourine, tambourine, tambourine". The instrumentation may get a bit repetitive for some, but the sheer funkiness and humor of this song will put a smile on your face while you're dancing the night away, without a care in the world. I especially get a kick out of the background voices, that seem to approve the shake that this song has. It sounds like it was recorded at a party and a time that you could only dream about experiencing. I like to play this song with the pitch up to about +4, which makes the experience all the more intense.





hot n’ cold  performed by basement jaxx
Recommended by licoricewhipped [profile]

this song makes me wanna throw a dance party.




hey mami  performed by fannypack
Recommended by licoricewhipped [profile]

this song is total one-person dance party in my underwear music!




possum kingdom  performed by the toadies
Recommended by complacentbasement [profile]

this song, if you've never heard it, takes time to grow on you... listen to it, ignore the fact that you think it sounds like stone temple pilots, let it germinate in your mind... i promise you won't be dissappointed.
ps. it's also one of those songs that is made better by seeing the video.
great music for a party





  coaxial420: I find it hard to believe that 60% or less of this board haven't heard this... it's the only song the Toadies really worked hard on to make sound good. The other stuff is kinda slow. In retrospect I have to wonder if they really wrote it... but yes, a very good song.
  SCOTTYFONTANA: Quite possibly one of the all time classic rock tunes. Definately in my top 40. Too bad most folks have never even heard this one.
The World Spins Madly On  performed by The Weepies
Recommended by Starr [profile]

A good listen. The band is overall pretty neat. They are very mellow, and perfect for bonfires on the beach, post-party hanging out music, etc.

from Say I Am You


Play Alone  performed by Asylum Party
Recommended by Dalriada [profile]

This unique song, unique to the whole body of work by the obscure Asylum Party, unique in every sense... If anybody ever wanted to create the sound of pure nostalgia in itself, this is the closest anyone ever got. I wonder what other people feel when listening to this song. I get utterly and hopelessly nostalgic, even though I don't know what for. It's not that I'm particularly old and know many times and eras, it's not that I have to dig particularly deep into my memory to get to that one dark part that's so irrevocably gone it makes one's heart ache and break. I don't know what it reminds me of, if of anything at all. It seems to be simply the soundtrack of some good times, times much better than the one you're stuck in right now, the soundtrack of reverie and the painful awareness that nothing will be the same again. I sometimes think it reminds me of beautiful summers I've known, the heat and sun that burnt my eyes, but then it seems just as fitting for a summer night at an open fire or an autumn window blurred with falling rain. The initial beats sound as if they could lead to anything, they even sound deceptively cheerful until the first melancholic screech of a guitar... "Feeling that hole that is just my soul..." Yeah, that must be it!




Sri Lankan block party  performed by Smoov-e
Recommended by Shaneneal [profile]

Nice tempo beat with the accordion and flute :)




How High The Moon  performed by June Christy  1959
Recommended by jeanette [profile]

Got a haircut today (short, choppy, fab). Getting a haircut often makes me think of June because she did have the greatest barnet ever - that fringe!

So I've pulled out my June collection - a paltry 4 LPs but growing - and am lovin' a bit of this tonight. The instrumentation here reminds me a lot of Ella Mae Morse's corner of the market, someone I should really get around to recommending on this site.

How High The Moon opens gentle as duck down, moving into a light finger snappin' mood then onto a heavy big band scat rhythm. Christy's technique is superlative and you can almost hear her intuitively measuring the band, taking each note perfectly.

This LP is a set of re-interpretations of songs June originally sang with the Stan Kenton Orchestra. Being a June novice, I'm not aware of the original version but I doubt I could like it more.

from June Christy Recalls Those Kenton Days (Capitol ST 1202)



Ancient Ritual  performed by Henry Mancini  1961
Recommended by nighteye [profile]

Does it get more relaxed than this? Luscious strings with vibraphones and a trombone in the background. This is the ultimate cocktail party song for the ultimate 'Bachelor themed' movie, too bad it isn't available on DVD yet.


available on CD - Bachelor In Paradise Original Soundtrack



Call Me  performed by Chris Montez  1966
Recommended by opl3003 [profile]

Okay. I might reveal more about myself than this terrific song in this review, but that's the way it's gotta be.

I have an unhealthy obsession with Chris Montez, and thanks to me - now my girlfriend does, too. We have many theories about Chris Montez, but I'll get to that later.

First of all, on the back of this album, Derek Taylor writes a few paragraphs about the immortal Mr. Montez. In one of them he writes of how he first heard this song.. and he thought the DJ on the radio said "Miss Montez". Ouch. I mean, we all know he sounds like a girl - but that's a cheap shot. I'm sure he's just angry because Chris gets way more bitches. Way more. Look at the front cover of this album. Three girls, one Chris Montez. Hell, the one in the front looks like she could be his mom - but that's besides the point. The point is, Chris Montez is the ultimate playboy. Don't worry, I'll explain.

Now here is where some of my theories about Chris come in. "Call Me" sounds like it's live. Call me crazy, but I think I have the entire song figured out. Chris recorded this song from his bed. In fact, I think he recorded this whole album from his bed. In one take. He belts out smooth songs so effortlessly, I just can't picture him standing in a booth somewhere doing each song over and over. Like I said, this song sounds live. I think they wheeled his bed into a club. You can hear some guy saying "Yeah, Chris" at the end of one of the choruses.. and even glasses tapping together. That's because when Chris Montez comes to town, it's a party. The claps you hear? That's the girls in his bed keeping the beat. Probably the 3 women from the cover of the album, and most likely a few more.

Now, back to the song. Written by Tony Hatch and arranged by Herb Albert - it's a winner. And it's Chris Montez telling you to call him if you need him, because he "can be so warm and tender". Need I say more? Chris Montez: the ulimate playboy.

from The More I See You / Call Me (A&M LP-115)



  Swinging London: 'That's because when Chris Montez comes to town, it's a party' So funny. So true.
  eftimihn: Missed this review the first time 'round. Very funny indeed and a thoroughly good theory for sure.
The Party  performed by Georges Delerue  1967
Recommended by bobbyspacetroup [profile]

A rockin' one and a half minute long instrumental unlike any other Delerue work I've come across. If you know of any other Delerue work like this, please let me know. The arrangement includes really heavy bass, wailing brass, surf guitar, organ, and drums. Maybe it's a little generic, but I like it.

from Our Mother's House OST (MGM)



The Crickets Sing for Anamaria  performed by Marcos Valle  1968
Recommended by audioadventures [profile]

Quirky but beautiful nonsense with an infectious Brazilian beach party beat. The song "So Nice (Summer Samba)" from the same CD shows the range and class of the performer.

from Samba 68 (Verve)
available on CD - yes (Verve)



  lilly747: This song screams summer - even on the coldest wettest London day. Take of your shoes and mix yourself a caiparina!
Oh, Calcutta!  performed by Dave Pell Singers  1969
Recommended by delicado [profile]

This short track opens the classic 1995 easy listening compilation The Sound Gallery. I'm sure it's well known to anyone with a remote interest in the whole revival scene. It's a really beautiful track, with funky drums, organ, a gentle, whispery vocal chorus, and some great jazz piano. Evocative and glamorous, this evokes a swinging party attended by people wearing sparkly dresses. For me, this is perhaps the ultimate stylish/glamorous 60s recording.

from Mah-Na-Mah-Na (Liberty)
available on CD - Sound Gallery (EMI)




  n-jeff: Its funny that it should make you think of people wearing sparkly dresses, when of course the show itself was primarily famous for having large numbers of hairy hippies naked onstage.
alla luce del giorno  performed by ennio morricone  196?
Recommended by olli [profile]

a catchy organ riff and some duh duh wailing...it's just one of those fun obscure mid sixties soundtrack songs. sounds like a cheesy party sequence, although i've never seen the film it originates from.
good clean fun. Actually i was surprised when i found out morricone originally wrote this, because some cheap dance/pop bill (can't remember who right now)had a hit wich borrowed heavily from this sometime during the mid-to late nineties... why is it that every time something catchy pops in top 40-music, it turns out to be borrowed from one of the old masters?


available on CD - mondo morricone



16 Toneladas (Sixteen Tons)  performed by Noriel Vilela  1971
Recommended by gregcaz [profile]

This, friends, is the swingingest and most bizarre version of this chestnut you will ever hear. Having recently left the Cantores De Ebano (Ebony Singers), sort of a 60s Brazilian version of Sounds Of Blackness, Noriel Vilela, possessor of an impossibly deep, rumbling basso profundo capable of blowing your speakers, embarked on a brief yet fondly-remembered solo career. This witty reworking of the Tennessee Ernie Ford original replaces the country-western-pop of the original with a rollicking samba-rock rhythm and Portuguese lyrics extolling how much fun samba is, sung by a voice from deep in the crypt that swings like crazy. It stops everybody who hears it dead in their tracks and is the guaranteed highlight of any party. What Messrs. Ford and Travis would have made of it is anybody's guess, but this version refuses to die, having recently become a hit in Brazil all over again, 30 years after its first release. I've heard many, many versions of "Sixteen Tons," but believe me, this one truly runs away with the prize!!

from 7 (Copacabana)
available on CD - Samba Rock (Compilation)




  konsu: I stand corrected. It's just a matter of getting in line for some of this stuff , ya'know? Soo much music, so little time...sigh...
  Festy: S�o Paulo group "Funk Como Le Gusta" have a wonderful version of this also from their 1999 album "Roda de Funk". It's in the same style that Noriel Vilela did, but tighter.
  sodapop650: If you get a chance - try and track down a copy of Juarez Sant'ana's first LP it has a super-cool version of "Ghost Riders in the Sky" to complete the bizarre brazilian western covers.
Ballet Intersideral  performed by Jean-Jacques Perrey  1972
Recommended by human-cannonball [profile]

Try to find this 1971 electro-gem and let your feet do the rest...A German group called Senor Coconut released a couple of albums on 2000 and 2001 remixing Kraftwerk tunes over a latin flavoured electro setting--pretty far-fetching stuff according to critics. Just listen to this one and you'll find out that Perrey have already done this all this time ago! Party synthesizer music!

from Moog Sensations (Montparnasse 2000)


Claudine (Instrumental Theme)  performed by Gladys Knight/Curtis Mayfield  1974
Recommended by dacottom [profile]

What a wonderful gem of a song. It gives a "Shaft" type of feel with an fresh air feel to it. A great underated masterpiece written by the late great Curtis Mayfield for this movie. Apparently this is a forgotten track on this album and overshadowed by the sublime on and on. Break this song out during a party and you become the definition of hip. Enjoy!

from Claudine Soundtrack
available on CD - Claudine (Motion Picture Soundtrack) (Capitol)


Come and Get This Stuff  performed by Syreeta  1974
Recommended by Nickfresh [profile]

Very nice, laid back summer song. Stevie Wonder struck Gold when he worked with Syreeta.

from Stevie Wonder Presents Syreeta (Motown 11268)




  Swinging London: I'd forgotten about this album. Thank you for reminding me. Absolutely wonderful. I especially loved the bits when Stevie's voice suddenly appears out of nowhere. I rank this album with all the great acclaimed Stevie Wonder albums of this (1971-76) era. I can't say that the song you've chosen is one of the high points, though.
My love, my life  performed by Abba  1976
Recommended by Mike [profile]

Such a ludicrously sentimental depiction of one party's feelings after a relationship breakup that I can imagine few would admit to liking it. However, it's a beautifully-crafted and wonderfully performed song with a superbly effective arrangement. I admit to liking it despite its total sentimentality and lack of any kind of coolness.

from Arrival, available on CD


Julie With...  performed by Brian Eno  1977
Recommended by bugbarbecue [profile]

Picture yourself in a boat on a river.

Actually, in this case it happens to be the middle of the ocean. Just drifting any direction. No land in sight, nothing else on the water, not even any clouds. No distractions. Just you, the boat, and the water.

Oh, and Julie -- she's there -- with her open blouse, gazing up into the empty sky.

What's so powerful about Eno's "Julie With..." (and this is perhaps representative of his entire career) is that he gives you an experience in perfect detail, as if reading a book.

Even if you discount the lyrics, which, although not exactly Shakespearian, are clear and unambiguous, there is no escaping the image that Eno is presenting.

Casting aside any overanalysis, what we're left with is an outstanding bit of relaxing, but emotionally evocative chillout music. Completely beatles, the instrumentation is typical Eno: pad synthesizers, minimoog and guitar with heavy chorus. Not something you'd throw on at an afterparty, but great for a sunset in solitude.

from Before And After Science, available on CD


Sola (Then)  performed by Rocio Durcal  1977
Recommended by RCA76 [profile]

This is my most favorite song in the world. I love it because it is a classic, latin, late 1970's, sultry, soft, dinner party or alone-with-someone-special type of track. The instrumentation is not totally typical of latin music (fast rhythm, very ornate), it is soft and easy. The vocals are absolutely velvety and very sensual. Although it is a "sad" song, it is one of those songs that makes you want think about that special certain someone.

from Una Vez Mas (Ariola LA-045)
available on CD - Rocio Durcal � Su Historia y �xitos Musicales Vol. 1 (BMG/Ariola (2004))


Something Better Change  performed by The Stranglers  1977
Recommended by dsalmones [profile]

�Something Better Change� was released in July of 1977 as the first single from The Stranglers upcoming second album No More Heroes which would appear in mid September. Along with the albums title track, �Something Better Change� would signal a move in a more overtly pop direction that was only hinted at on the group�s first album and would manage to peak at #9 on the U.K. singles chart. This is not to say that The Stranglers abandon their reputation as caustic agitators as No More Heroes was littered with politically contentious tracks such as �I Feel Like A Wog�, �Bring On The Nubiles� and �Bitching�, but the song�s infectious guitar riff and winning melody suggests a tenuous party rock atmosphere. It�s left to singer J.J. Burnel�s particularly gruff vocal performance to keep thing in the punk zone as he alternates between a gnarly throated delivery and a melodic toned timbre. Pumping organ and a buoyant mid-tempo rhythmic romp keep the energy high as he confronts the status quo with a tirade against stifling apathy, flaunting the punk new order with the taunting second verse, �Don�t you like the way I dance? / Does it bug you? / Don�t you like the cut of my clothes? / Don�t you like the way I seem to enjoy it? / Stick my finger right up your nose!� The bridge becomes a jubilant anthem where Burnel voices a punk battle cry to a flurry of organ runs and a growling bass line, �Something�s happening and it�s happening right now / You�re too blind to see it / Something�s happening and it�s happening right now / Ain�t got time to wait�. The chorus is a simple statement, Burnel demanding �Something better change!� with support from the boys in the band who join in for a group shout. Ironically, the arrangement also shows signs of classic rock moves, including a stinging guitar solo and an old school build up of the chorus late in the track.
(AMG)

from No More Heroes, available on CD (A&M)


uptown top ranking  performed by althea and donna  1978
Recommended by olli [profile]

the exellent title track from reggae ladies althea and donna's 1978 effort, uptown top ranking. don't know too much about them, except that this is a nigh-on perfect album. short and sweet (about 35 minutes), but without a single skippable track. great arrangements and vocals, though the lyrics seem to borderline between daft and genius in places. still, this is top class, and absolutely essential party music.

from uptown top ranking, available on CD ()


6060-842  performed by The B-52s  1979
Recommended by rum [profile]

The lyrical theme of �6060-842� seems pretty mundane for the B-52s. Tina goes to the ladies room, sees a phone number scrawled on the wall, and so decides to ring it. Hmm� doesn�t sound like it�s gonna be a tale the measure of �the time our car was hijacked by the devil� and the like. Still this IS the B-52s, and recognisably so, �if you�d like a very nice time, just give this number a call� reads the unlikely graffiti. So something must happen. The band are optimistic too, bouncing along excitedly on a jumpy new wave rhythm. Tina, we reckon, is much like the band. She lives for wild parties and crazy adventures. This 6060-842 could be just the ticket. �Oh my gawd! I�m gonna give that there number a ring. You see if I don�t!� So she drops a dime in the phone slot and, �prays she gets the line.� She�s biting her lip, stabbing her nails into her finger tips, �come on� come ON!!!�

But pause a moment. Is she really so na�ve? Does she really think a �really nice time� awaits her? In the gnarled and weather beaten hands of a social realist singer-songwriter, the number 6060-842 would lead to abuse, to prostitution, and ultimately, to death. In the hands of the B-52s? I don�t know, you tell me. A debauched toga party in a 1950s vision of the future�? Well, it�s neither. It�s just a brilliant anti-climax. You see Tina and the B-52a might be deranged, but the world they live in is not. It�s bloody typical. She dials 6060-842, and can�t get through! �The number�s been disconnected�� monotones the operator. But Tina won�t accept this, no, and neither will the band. They can�t end the track with Tina accepting the disappointment with a sigh of weary resignation, �ah well, nevermind� maybe next time.� No, no, this anti-climax has worked them up into an angry frenzy. Ricky Wilson vents his frustration with viscious slashes of electric guitar whilst Tina just keeps dialing and dialing, and getting rebuffed and rebuffed, �HELLO!!!� �sorry�� The track probably ends with them all smashing up the phone box. A superb, and much over-looked track.

from The B-52s, available on CD


Rock Lobster  performed by The B-52’s  1979
Recommended by dsalmones [profile]

The B-52's were one of several late-'70s bands for which there was no real category. With their modified surf guitar sound, their thrift-shop fashion sense, and their jokey demeanor, they certainly weren't in the rock & roll mainstream, but they exhibited none of punk's sneering rebelliousness or musical aggression, either � the only anarchy that seemed to interest the B-52's was of the sartorial variety. "Rock Lobster" was the first B-52's song to catch popular attention, and it's easy to see why. The minimalist guitar lick is like a beach-bum's rendition of the James Bond theme, the one-note organ ostinato complements it perfectly, and Fred Scheider's campy sprechgesang jumps out at you immediately. Yet despite the song's self-consciously weird texture and silly lyrics about earlobes falling off and communal towel coordination, there's a thread of darkness weaving through it. Make no mistake � this is not a song with hidden meaning lurking below the surface. But its surface is a little more complicated than it seems to be at first. For one thing, it's almost seven minutes long, and it does start to drag toward the end. Right when it does, you notice the mood getting darker � Schneider delivers lines about "having fun" and "baking in the sun" in a hoarse croak, and the guitar starts sounding repetitive in a slightly creepy way. Suddenly you realize that the whole song has been in a minor key, and as Schneider shouts and the guitar barks out its angular riff over and over, you start to wonder if maybe there's some kind of commentary going on here. But then Kate Pierson's angelic voice comes in with a surprisingly pretty falling harmony part that can only be described as a descant, which repeats several times, gradually paring itself down to a single phrase, and abruptly the song is over. The whole song ends up being a goofy party confection with a slightly crunchy center � a pretty satisfying overall flavor combination.
(AMG)

from The B-52's, available on CD


Jet Society  performed by Cordara Orchestra  197?
Recommended by nighteye [profile]

The mother of all 'Jet Society' themed songs. Play this at your penthouse-apartment cocktail party and you'll most likely score a free layover with one of the air stewardesses. The choice of a lone laidback trumpet over piano chords is excellent. Mix in a soft percussion beat and you're all set. Come to think of it, phone up your friends and invite them over for cocktails in the grotto.


available on CD - Caf� Noir - Cocktail & Lounge Vol 1




  eftimihn: Amazing track, excellent choice. The title resembles the mood perfectly.
rock steady  performed by the marvels  197x
Recommended by olli [profile]

can't believe this hasn't been recommended before. if you haven't heard it, you should probably be ashamed of yourself.

one of the best party songs ever recorded,
it practically commands you to get your ass in gear and have fun. i really don't know what more to say about it, check it out, it's just incredibly solid.
you can find it on volume one of the always reliable 100% dynamite compilations from studio one.


available on CD - 100%dynamite (studio one soul jazz records)



King Ink  performed by The Birthday Party  1980
Recommended by phil [profile]

All birthday party songs are pretty much the same - start the drums, then the bass, and repeat these till the end of the song. Meanwhile, Nick rants over the top, and guitars come in at the dramatic bits. Sounds bad I know, but once you have listened to them about a hundred times, they suddenly become absolutely incredible. This is my favourite one - the unbelievably low bass line kicks in, and Nick yells such gems as "Express yourself! Say something! Say something! Like 'Er'! Or 'Um'! or 'Er'!" For about 6 minutes. Brilliant.

from Live 1981-82, available on CD



Apocalypso  performed by The Monochrome Set  1980
Recommended by whoops [profile]

Come closer and listen carefully, this is the best kept secret of the so called music industry.
The Monochrome Set have changed my life and the ones of thousands (Well..maybe hundreds..ok, maybe 5 or 10). They came out of nowhere in the late seventies with a serie of singles on Rough Trade and were signed by Virgin in 1980 for 2 albums then by Cherry Red for a third one (Eligible bachelors) and by Warner for the last one (The lost week end). It is not an easy task to describe their music, it is always unpredictable, brilliant, clever and funny.

To finish, this is a quote from the cover of their second album :
"Once this record is in the house two's company and four is a party, roll back the carpet, switch out the light and dance in the glow of the firelight as the Monochrome Set provide your very own music far from the maddening crowd of the dancehalls"

Oh by the way, Apocalypso is an exquisite little song with a marimba and percussion break.

from Love zombies (Virgin)


She's hit  performed by The Birthday Party  1982
Recommended by phil [profile]

Ah - yet another classic about killing women. Cave is excelling himself here - it opens with the immortal line 'there is woman-pie in here.' This one breaks from the standard Birthday Party template - first drums, then bass, then nick, then guitars - by doing all the above, but with the mental leap of playing it at a quarter of the normal speed. The highlight is the inevitable moment when Nick says 'And all the girls across the world.....
.........
...........
are........
hit. '
MAGNIFICENT. Why didn't the sugarhill gang sing it that way?

As far as I know, this the only song bassist Tracy Pew is credited with writing. His part is pretty obvious. It's the bass line.

from Live 1981-82 (4AD CAD9005)
available on CD - Junkyard (Mute)



Serenade For Missy  performed by The Residents  1982
Recommended by Tangento [profile]

This is my first recommendation, so I will go easy on all of you. The following description is from my website. (it is the only way to do the song justice):

This can only be compared to something like "Retro-60's Upside-down Elevator Muzak".
(although it certainly draws from 20's/ 30's Big Band escapism)
The thing is, if this actually were playing in an elevator, the people there would certainly perform an odd ritual of alternately:
a. Merrily tapping their foot, and then
b. Looking up at the speaker, frowning and befuddled.
This is a song, which back in my partying days, we would use as a soundtrack for the following activity:
We would put our tiny baby Alligator Lizard, Festus
(who was an inch long, head to tail, and smaller around than a pencil)
...we would put him on this cheap little multi-colored fiber-optic "fountain" and put the clear cube back over it.
We would then watch as this "fountain" would very slowly spin around, Festus aboard, with this completely absurd (but oddly beautiful) music playing.
This produced near-catastrophic laughter because he would be looking up at you with this little tiny frown, as if to say;
"what the hell is wrong with you people?"
To this day, I cannot properly answer that question.
R.I.P., Festus.

Additional info:
The sax is not my favorite instrument, but it is perfectly utilized here. It wavers between slightly obnoxious and smooth as silk.
What really make the track sweet, however are the unique guitar stylings of Snakefinger.

from The Tunes of Two Cities, available on CD


Temptation  performed by New Order  1982
Recommended by delicado [profile]

Although far less well known than the 12" version and the 1987 'substance' rerecording, I'm utterly in love with this 7" version. I think perhaps the band hate it, since it doesn't seem ever to have appeared on CD, and was not even on the recent 'Retro' box set. At a little over 5 minutes long, it just seems much more focused and affecting to me than the overlong 12" version and the scrappy 1987 version.

It opens with that hypnotic beat/synth sound that has become famous since the song was used in various film soundtracks (most famously, Trainspotting, and most recently, 24 hour party people. Both used the later, rubbish version though). On this version, there's a twangy guitar sound added over the top of the introduction. The other main difference from other versions is vastly improved vocals (particularly over the 1987 version), and that wonderful early New Order guitar sound, as witnessed on other classic tracks like 'Ceremony' and 'Procession'. Like a handful of other tracks I've recommended, it's hard for me to be completely objective about this one, because I've adored it since my mid-teens. But having just bought an extra copy of the single, I'm happy to report that it sounds as brilliant as ever.

This recording showcases a raw and under-appreciated New Order/Joy Division sound that mixes early synth sounds and beats with punky guitars in a really beautiful and affecting way. I still enjoy their later stuff, but it's tracks like this that really attract me to the band.

from the single Temptation (Factory fac63)




  n-jeff: I've not heard the 7 since I was at college in 82, but there is also a version about 15-20 minutes long on one of the first "Touch" cassettes, where they have cut it with an interview. The whole thing seems to have been a lengthy Jam, edited differently for different releases. So the 7 would give you the most focused version. Compare the 7 and 12 edits of the KLF's "3am Eternal" for the enhancing effect of a great edit.
  Genza: I totally agree with everything delicado says. Early New Order rocks. Everything after and including Blue Monday is more poppy - and I can live with that. But most of their albums are very patchy - with half the tracks good and the other half almost unlistenable. But Temptation is an utter, utter classic. And I just love Dreams Never End, Cries and Whispers and In a Lonely Place. Well, any early New Order - it all that has tinny dance-music quality but still holds that desolate Joy Division sound.
Urban Foxes  performed by Search Party  1982
Recommended by Mike [profile]

Great piece of early 80s electronica produced by Tony Mansfield of New Musik and featuring the innovative and distinctive synthesizer-filled textures and chord sequences typical of his work. If anyone hears that it's available on CD, please let me know!




True  performed by Spandau Ballet  1983
Recommended by thewilyfilipino [profile]

The great NYFD firefighter and actor Steve Buscemi immortalizes this song in the otherwise forgettable Adam Sandler vehicle "The Wedding Singer:" he winces, he exhales extra H's, he emotes. Spandau Ballet's lead singer, Tony Hadley, would never have done that; dressed in all his Bryan Ferry finery and sporting his New Romantic do, he stood with the mike pinched in the fingers of his hand... and emoted. "Oh I want the truth to be SAIIIIID [then his voice breaks]. [Pregnant pause.] [And then the Uh-huh-huh-huh-hi comes in again.]

Yes, "True." Performed by a band with one of the most stupid band names imaginable, "True" invaded Philippine airwaves, spawned a silly Spandau Ballet - Duran Duran showdown on DWLS 97.1, and jumpstarted the dead-end careers of a million amateur singers. (A good friend of mine, who actually could sing, once performed this during some high school party, and had it choreographed so that the lights would go out during the "pregnant pause." The women screamed.)

But darn it, the song still gets to me -- not every time, God no, but only when I'm in a semi-nostalgic mood regarding the worst years of my life (high school). That cheesy sax instrumental break that still haunts my dreams! The harmonizing Kemp brothers! "Always in time / But never in line for dreams!" The sound of my soul indeed.

from The Collection, available on CD


That’s The End Of That  performed by Trixie’s Big Red Motorbike  1983
Recommended by jeanette [profile]

Whenever I am accused of cynicism in my daily life, I just point to my deep and unabiding love for this ditty, which manages to out-twee even The Free Design. Cute-as-a-button girl vocals and light guitar make you want to drink squash and wear a hairslide.

from The Intimate Sound Of Trixie's Big Red Motorbike (Accident DENT 1)



  unathanthium: I climb in my tweemobile and Trixies soothe my nerves as I trundle through the London streets,smiling inanely at rage-fuelled motorists.In Timbuktu is the song that puts that smile there.When you go to Timbuktu,do as the Timbuktuans do,Trixies advise.And rhyming Niger with Tiger,even Ted Hughes never managed that.
  grimnir: an all-time classic! EXCELLENT! A typicallly-lush-John Peel type of track. AAHHHH! Summer and listening to Peel with the windows wide on a warm night. If anyone knows where to get more TBRM then post a reply.
Mechanical Emotion (Featuring Morris Day)  performed by Vanity  1984
Recommended by Nickfresh [profile]

If you are looking for Classic but Overlooked 80's Electro Soul, look to one of Prince's girls to fill your need. Vanity, who at this time was a 'vamp' going it alone after Prince, got together with Bill Wolfer and Morris Day with a serious sound of synthesizers, clean electric guitar, and risque lyrics, making it one of the two releases from her first solo album, "Wild Animal." The grooves in the song and the french breakdown has me going wild everytime. I have loved the song since I was a little boy (when I was told that I couldn't listen to songs like that), and I don't think I will tire from it anytime soon.

from Wild Animal (Motown)



She Loves You  performed by Ted Chippington  1986
Recommended by geezer [profile]

A dour but sincere take on Liverpools finest,Mr Chippington narates this love song in the third party promising a female friend that if he see,s her love he will indeed tell him that "she loves you".Teasingly short and breezy set to lounge core backing,if the irony is missed it could sound twee or contrived but its sincere delivery endears the listener and involves him or her in an ongoing domestic upset .A unique approach to one of the most optimistic love songs of all time


available on CD - Vinyl or MP3


Beasts of No Nation  performed by Fela Anikulapo-Kuti & Egypt 80  1989
Recommended by phillphillphill [profile]

Here is a real music man from Africa who stirred alot of contraversy by forming his own political party and using his music as a weapon against the colonial british government. He wrote Beasts of No Nation in 1986 after spending 3 years in jail without being convicted. Beautiful voice!! Influenced by American jazz and Drum rhythms of west nigeria. Many consider him the African James Brown or Bob Marley, but this is not so. Find out for yourself!


available on CD - Beasts of No Nation/O.D.O.O. (MCA)


Phoney Ladies  performed by Neneh Cherry  1989
Recommended by jeanette [profile]

Great bopping beats and a fantastic chorus. Lyrical content is Neneh's stalwart, female rivalry.

I went to a fancy dress party as Neneh once. Someone told me I looked more like Martika...

from Raw Like Sushi, available on CD



Glamorous Glue  performed by Morrissey  1992
Recommended by phil [profile]

I became able to vote about a week after the UK Conservative party had just won a fourth straight election victory. For me, this song just captures those feelings of utter frustration and anger which I was feeling at the time:
 
'3rd week with the jar you find
everything dies
we won't vote conservative
because we never have
everyone lies, everyone lies!'
 
It ends with Morrissey basically giving up on the country, singing 'We look to Los Angeles/ For the language we use/ London is dead, London is dead.' Even listening to it now, it takes me straight back to what was a pretty grim time for me, and - frankly - Britain.

from Your Arsenal (HMV 0777 7 99794 2 4)



  LawrenceM: and of course, not long after that Morrissey moved to Los Angeles, to live the life of a fading rock star in the Hollywood Hills. All of "Your Arsenal" is brilliant ......
Have you got ticket to the Dome?  performed by Ip  1993
Recommended by Genza [profile]

Japanese recluse Ip rarely leaves the confines of his room-cum-studio - and it's usually to attend a naff 1980s-stylee disco. The shy, clumsy student takes on the persona of a mentalist when news of a party spreads.

To celebrate his love of all things crazee, Ip recorded a series of bizarre poptastic tracks in the early 1990s. The songs suffer from dreadful production values and annoying lyrics, much of which is spoken in broken Engrish. But hey, that only adds to the fun.

Ip's debut album 'Floor 15: Room 17' is his best. Two stand out tracks include: 'Knocking on door while Mr Room Mate is away now', and 'Why are all new friends arrive for special event not on?'.

But his best song is 'Have you got ticket to the Dome?', a slice of Human League-esque rom-pop, bolted on to a 130 bpm, glam rock rhythm.

I used to know his acquaintance, this bloke that used to wear a plastic suit and fake glasses. He would hang around with a can of cheap lager. But I haven't seen him in months. I think he lost his mobile phone, or something. He'd probably say: 'Oh yeah, Gonza, Genzo. I remember. The good old days. Hanging out in the Lounge.'

Whatever. But Ip. Far out.

from Floor 15: Room 17, available on CD



  delicado: I don't remember Ip's music. Wasn't there a related thing called 'DJ Bakesey'? I remember that being really good.
  Genza: Don't remember Ip? What on earth...? If I remember rightly, you used to hang around with him and those two mates of his that used to jump up and down on bed and squeal in a high-pitched way. Very, very odd. As for 'DJ Bakesey', he wag good - and some of his mates in the JCR Squad were pretty hot. Their sound - looking back - was pretty ground-breaking. 'MC Lem' was amazing and I loved his booming anthem 'Fish Pie': 'All I want for tea is Fish Pie All I want for tea is Fish Pie If I get it, I won't swear like a bad boy If I get it, I won't play Duncan no more...' Who was Duncan? And what did it all mean? Am I scared? Can I sleep here?
Gordon's Gardenparty  performed by The Cardigans  1995
Recommended by tinks [profile]

A lovely, sugary piece of easy-pop, with a nice flute, some subtle strings, fingersnaps and terrific lyrics. "We were swinging oh so nice/bubbly pink champagne on ice"...plus a few "la la la doobie doobie doo"s for good measure.

from Life, available on CD



Party Up  performed by DMX  1999
Recommended by Betto_Colombia [profile]

If you're into hardcore rap from the clubs you are gonna love it. Very commercial. Nice mixes and dirty lyrics.

The chorus is petty catchy: Y'all gon' make me lose my mind up in HERE, up in here...


available on CD - And Then There Was X


Sugababes On The Run  performed by Sugababes  2000
Recommended by jeanette [profile]

Before the Sugababes became just a catalogue of "epic" ballads and stylist errors they were a phenomenally good UK pop band. Not marketing themselves as slappers or party girls, they exhibited an edginess not commonly associated with mainstream chart acts. The whole first album is a miraculous hotbed of beats and songwriting that gels so unbelievably well with the girls' image that you can believe their contribution to the process was more than just the "change a word, take a third" Spice Girls school of songwriting. Overload and Run For Cover are two of my favourite singles of the last ten years.

Equally commendable (and something else, along with member Siobhan and nice clothes, that fell by the wayside come second album time) was their attention to B sides and bonus tracks. Most had a quality that rivalled the album songs and singles - and Sugababes On The Run is even better. I can see why it wouldn't fit on the album - too novelty-ish, few people can pull off a track with their own name in it - but it works perfectly as a flitty ditty about the best teen subject: being pissed off at your parents.

Nevertheless, it does has a depth to it. In its own pop way, it's examining the precipice between youth and cynicism - does getting older always mean losing your ideals?

Probably....

The sweetness of the vocals (particularly Keisha's) and the general kid sister affection of the 'Babes mean that, however much crap they release I'll still be there every new release Monday hoping for another B-side of this quality - and getting a god-awful remix instead.

from New Year CD Single, available on CD



resistansen  performed by kaizers orchestra  2001
Recommended by olli [profile]

some nice tom waits-esque norwegian gipsy punk/ folkpop for you. You probably won't understand a word of what they're saying, as it's sung in a weird norwegian dialect, but most of it is about russian roulette, alcohol, corrupt priests, floods, polka, treachery and other things we enjoy here in norway. it's dramatic, fun and entertaining, so go ahead and buy it/ download from some file-sharing service. you won't regret it.

from ompa til du d�r, available on CD



The Life of the Party  performed by April March  2003
Recommended by delicado [profile]

Shock modern recommendation. The entire 'Triggers' album sounds great to me, with Bertrand Burgalat's production very prominent alongside April's vocals.

'The Life of the Party' has lots of interesting electronic and vocal sounds, including some excellent synths, and a cool and rather spooky chord sequence.

Big thanks to robert[o] for turning me on to the album.

from Triggers, available on CD




  olli: i really dig bertrand burgalat. 'specially sssound of music.
Helicopter  performed by Bloc Party  2005
Recommended by Rory426 [profile]

absolutely amazing track with great, slightly political, lyrics and the best track, in my opinion, on their fantastic album "silent alarm"

from Silent Alarm


banquet  performed by BLOC PARTY  2005
Recommended by cockduster [profile]

from silent alarm


My Style  performed by The Black Eyed Peas  2005
Recommended by goldenvegetation [profile]

I normally don't like this sort of music, but My Style, actually the whole Monkey Business album is one of my favorites. It's in the select few of complete albums on my iPod, and I love listening to it when I'm working out or just having a party. I listen to it when I play chess! To my knowledge, the track in question is mainly audio loops or digitally- created noises.

Overall, it's a fun song to sing along with.

from Monkey Business


Baby You’ve No Eyes  performed by The Kazoo Funk Orchestra  2006
Recommended by peterbruff [profile]

Available for free download from www.kazoofunk.co.uk/music.html along with the rest of the album 'Midnight Finger Painter'...

from Midnight Finger Painter (Planet Groucho Records PGR-KF-01)


Uniform  performed by Bloc Party  2007
Recommended by WhiteRose1919 [profile]

Great Lyrically, a brilliant Bloc Party/Indie Rock Song.

from A Weekend In The City (Witchita)


Mama’s Boy  performed by Chromeo  2007
Recommended by annabanana123 [profile]

I dare you not to like this song. Chromeo has quite a few old school 80s sounding songs that would be great for a party.




Bumblebee  performed by Roman Andren  2008
Recommended by Festy [profile]

You'd be forgiven for thinking this one of Sergio Mendes' hipper tracks from his Brasil '66 or '77 period. It has that old sound to it and is really warm. It starts off breezy and builds with energy whilst Roman Andren, a young Swedish musician, composer and DJ, plays some beautiful electric piano over the top. Although it starts off with vocals over a sparse bass and electric piano combo, the vocals don't come in again until a while into the track. By the end of the track, the energy is at its most, yet still breezy, with brass, vocals and hand-claps providing a sense of a party. It's the perfect song for a summer's day or, close your eyes on a dreary winter's day and be transported.

from Juanita & Beyond : Live Studio Sessions, available on CD



The Pilot is Dead, Don’t Worry I’m a Make-up Artist  performed by Munn Til Munn Metoden  2010
Recommended by thennis [profile]

It is an electronic piece from an underground duo from Norway.
The reason i like it is because it has a different and fresh sound.

Its actually quite awesome and if you like their music is actually up for free download!

from EP Vol.1 (Sellout Music)


   Try another search:

musical taste home

© zarmi 2000-2024
CONTACT | ABOUT